I dislike unipivots as a matter of preference. Raul dislikes them as a matter of religion.
I dislike parallel trackers. Not as a matter of preference (although the Air Tangent had serious problems) but more for their aesthetic demands (although the Bergmann ones seem to bring B&O design sensibilities to these questions) 🤗
I have no problems with unipivots per se and have owned a few....
The original Hadcock GH-228 was an under-appreciated arm which afforded me many years of excellent sound.
The Grace G940 was cheaply designed and even more cheaply made and was not as good as the Hadcock whilst the Graham Phantom II is simply a pretender of an arm IMO.....
The Continuum Cobra and Copperhead designs (albeit with secondary stabilising sapphire swashplates) are likely the very best tonearm designs I have heard.
The raison d'être for the unipivot design theory is the virtual elimination of 'friction' at the pivot point....and that is something to be taken seriously......
What I really dislike in this hobby.....are ’generalisations’ and ’absolutes’ as most experienced and astute audiophiles know these to be ghoulish....or maybe goulash 🤡