Synergistic Research HFT's


I acquired a ten-pack of SR's HFT room treatments and installed them according to directions just prior to last night's listening session. Easy to install using the blue-tack type of material that was included in the package. 

http://highend-electronics.com/products/sr-hft-high-frequency-transformer

The listening room already sported two pairs of Shataki  Holograms ... one pair in the front corners of the room and a second pair in the rear corners of the room. In addition to the Holograms, there are tube traps along the rear of the listening position. I thought I had my room problems solved with the existing treatments and I was satisfied with those results.

Enter the SR HFT's ...

I had my friend Robert over last night to help evaluate the changes, if any. I was looking forward to maybe a small improvement at best. I mean, what can one expect from little metal devises that stick to your walls ... little devises so small that one wouldn't even notice them unless they were called attention to?

Long story short ... we were hit over the head with astounding disbelief at the ... I don't want to use the word "improvement," because that would be an understatement. I'll use the word trans-formative instead.  Because, that's exactly what this tweak has done; its transformed my listening environment, and consequently my entire system, into an unbelievable music machine. 

The first CD I played was a private recording of Rachmaninoff's third piano concerto, with the L.A. Philharmonic orchestra during a Rachmaninoff piano competition. The disc features the winner of the contest on piano.  This has always been one of the favorite recordings in my collection. It transports the listener into the venue in a very natural way. This CD was burned right from the master tape with no artificial reverb or compression.   A good test for any changes to the system. 

Uhhh .... what I thought was a great recording transported us into the live event. Astounding to say the least.  How can such a simple tweak as ten little dots spread around the room have such a huge effect?  My theory is ... the sound energy coming from the speakers causes certain resonances at certain frequencies, and those resonances  excite certain areas of the room and smears the sound. The HFT's take those resonances out of the equation. That's my  theory, anyway. 

Here's the noted improvements:

1. A much more solid presentation at higher volume levels. Everything just seems to hang together better. 

2. Bass control: The best bass from my system yet. Very defined. The lower registers of the piano are a delight. 

3. Size of the presentation:  What I thought was a big sound stage before has been expanded in a very focused way.

4. Transparency: I can "see" much further into the presentation now. The audience noises,coughs & sneezes, the orchestra tuning up, the members turning the pages of the music, the conductor walking on the platform ... all there where a lot of it wasn't before. 

5.  Musicality: The correct tones of the instruments, which I've paid particular attention to in the system, were much improved. Strings, timpani's and the presence of the piano were all dead-nutz on. Amazing. 

6. 3-D:  A much more holographic presentation.  Good Lord, how much better can this get? So much more "air" around the performers. It really adds to the suspension of disbelief in a big way.

I could go on and on with our positive impressions last night, but I will echo what Robert said:  "This is your greatest tweak ever!"  "It sounds like you've improved your entire system." 

After playing a number of CD's featuring piano, we switched to the analog rig and played a whole variety of music ... from straight ahead jazz to Hawaiian music.  The expansion of the sound space, and the realism from analog and tubes with the new room treatment? Unbelievable. 

The ten pack of HFT's gets you to "level two" ... one more pack of five would get it to "level three."  Based upon last  nights results, there is another five pack in my near future. 

Are any of you other A'goners using SR HFT's in your room?  If so, please post your results here. I'd like to know if your experiences with these devises are similar to mine. 

Happy listening, guys. 
128x128oregonpapa
http://www.ebay.com/itm/311722560634
These are my ordered cones, it shows 3/8"???????? Is it their lenght or their diameter? I m lost please help
@sasko    yo, chill man. Take a deep breath..  it seems you ordered them from a German seller. Here's the info with my translation: 

15 Stück. -  15 pieces

Ø 9,5mm! RIESIG!  -  Diameter 9.5mm! Giant!

Gewicht 2 Gramm | Stück.  - Weight. 2 grams/piece

Bohrung Ø 3mm. - Hole diameter 3mm

Höhe 7mm - Height 7mm

The diameter, 9.5mm, is 3/8". If you're making the diy resonators, you'll need 3/8" copper caps to put these cones in. The copper caps are sized based on their inside diameter. So it should be a perfect fit, assuming accurate manufacturing specs.
Toddverrone,
hahahahaha,i m relaxed dude.
thks for the info, i will order 3/8" caps.
I will post here my thoughts>

Glory. I just read up on ASI sugar cubes.   Wow, their placement would really drive me crazy.  They maybe a very effective room treatment but I’ll stick to the easier SR HFT system despite the higher price.  I just lose patience after a while of tweaking my system and just want to listen to my music.  I was informed by SR that the Blackbox and Atmosphere are only to be used with an HFT system to be effective so it’s probably true that an FEQ would similarly require the same SR HFT setup.
Pretty sure those Sugar Cubes are the brainchild of Franck Tchang, you know, the original designer of tiny little bowl acoustic resonators, the one of pure, silver and gold and platinum. The ones SR and others copied. Timely tip - The very best way to determine exact locations for almost all acoustic resonators is to map out the entire 3D space of the room using a SPL meter and one or more test tones.