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Tekton Double Impacts

Anybody out there heard these??

I have dedicated audio room 14.5x20.5x9 ft.  Currently have Marantz Reference CD/Intergrated paired to Magnepan 1.7's with REL T-7 subs.  For the vast majority of music I love this system.  The only nit pick is that it is lacking/limited in covering say below 35 hz or so.  For the first time actually buzzed the panel with an organ sacd. Bummer.  Thought of upgrading subs to rythmicks but then I will need to high pass the 1.7's.  Really don't want to deal with that approach.

Enter the Double Impacts.  Many interesting things here.  Would certainly have a different set of strengths here.  Dynamics, claimed bottom octave coverage in one package, suspect a good match to current electronics.

I've read all the threads here so we do not need to rehash that.  Just wondering if others out there have FIRST HAND experience with these or other Tekton speakers

Thanks.
corelli
vitop
221 posts
 
brotw;

I heard the Focus speakers. I thought they were very good. I like the Legacys. I went there to hear the Signatures which were more in the range of the DI speakers, but there was no comparison. I then listened to the Focus and liked them.
I didn't hear anything lacking in the precision of the Di speakers at all when comparing them to the Focus. In fact, that was my main criteria - precision and clarity so I paid close attention to both of those in my comparison.
david_ten
5,480 posts
 
@brotw Brody, can you clarify more about what you mean when you say:
what the DI’s lack in driver quality and precision is replaced with an uncanny ability to present a live music sound to recordings

Thanks.
david_ten
5,480 posts
 
@evovist  Any updates on your Mini being shipped?
david_ten
5,480 posts
 
@bullitt5094  All okay on your end? Haven't seen any posts since the Harvey deluge.
teajay
1,687 posts
 
Just wanted to share,

My hunch all along was that the superlative sound I was getting with the Triode Lab SET 2A3 amplifier was based on the synergy between it and the Micro-ZOTL preamplifier.  The 2A3 provided the timbres/colors, "meat on the bones" imaging and the ZOTL provided the dynamics/speed and the special spatial dimensions.

I now have tried running the 2A3 with three very good tube based line-stages on the Ulf's and the "magic" was greatly reduced in the areas of PRAT/speed, overall dynamics, and a much flatter sound-stage quality.  So, this validates that it's the combo's synergy that gets you the magic I kept reporting.

I'm also coming to the conclusion that the AricAudio SET KT-120, with KT-88's instead of  the stock 120's, is a better match for the Ulfberht's then the 2A3 amplifier.  Aric's amplifier opens up the sound-staging ability of the Ulf's to a much higher degree and is very close, if not a clone, of the beautiful timbres/tonality of the 2A3 tube sound.  Nothing is quiet as "wet" or colorful as the 2A3 sound, however with NOS RCA triple mica black plate 5751's as driver tubes and the JJ KT-88 blue glass tubes the AricAudio SET is not far off in these areas.  The match of the Triode Lab/Micro-ZOTL is still my favorite for the DI's that seem to not struggle with this combo in the area of a total open sound-stage and disappearing in that sound-stage.  

  
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