Parasound Halo Integrated.

I'll venture an opinion on that.  For those that have a critique of the LS50's, harshness or brightness in the upper registers is something mentioned.  I owned the P7 and A21 and found them quite good, but one or the other did not reveal the last bit of air in music.  I never noticed this immediately, and had speakers that were somewhat laid back, so it probably wasn't the best combination.

Anyway, what I've read on the Halo integrated is that it's dead neutral, so I think it would be safe to say any top end hotness would be limited to the music being played and whatever the LS50s might be doing.

My wife's favorite racing red LS50s are being driven by a chain of Ayre electronics, QX-5 D/A processor, KX-5 preamp, and VX-5 amp, all Twenty series.  But previously it was a Cary Cinema 12 and Parasound A 21.  We haven't experienced harshness or brightness with either.

At the point alluded to in my 9/17 post, the Ayre chain will drive my KEF Reference 107/2s or, perhaps, Blade 2.

db

I had my Halo Integrated with LS50s for about 2 months.  It was a wonderful match.  Everything sounded extremely neutral, with perfect balance.

I was however not impressed with the Halo's phono stage, or DAC, compared to my separates.  I ended up selling the Halo, only because I felt I wasn't getting complete use of everything it offered.

Ah, but of course you are missing the all important details.  What DAC and separate phono stage sounded better you yourself?

@213runnin The phono stages were an iFi iPhono2 and a PS Audio NPC, and the DAC was Wyred4Sound DAC2se.