Oh golly, this is why I suggested the OP go on an audition trip to hear a range of speakers for himself. Different ears and different gears and different music and personal taste etc etc.
I haven't spent much time with GE Triton Ones but I did audition the Triton 3+ and 2+ extensively and one thing I never heard them sound like was fatiguing. They were also remarkably coherent top to bottom. I once upon a time tried to integrate Maggies and subs, and we listen to mainly big classical/orchestral/piano, and coherency is a MUST in our system. If anything, the Tritons were just a bit sweet on top and over-all slightly forgiving. OTOH, I found the KEF LS50s almost unlistenable so there you go. (I sometimes feel like the only audiogeek in the world who doesn't love these speakers.)
When we started looking for speakers I thought we would end up with Vandersteens, or Focals, or Sonus Fabers, or B&Ws or Alons or anything but Golden Ear Tritons. But we did and we're very happy.
So different strokes and all that.
I haven't spent much time with GE Triton Ones but I did audition the Triton 3+ and 2+ extensively and one thing I never heard them sound like was fatiguing. They were also remarkably coherent top to bottom. I once upon a time tried to integrate Maggies and subs, and we listen to mainly big classical/orchestral/piano, and coherency is a MUST in our system. If anything, the Tritons were just a bit sweet on top and over-all slightly forgiving. OTOH, I found the KEF LS50s almost unlistenable so there you go. (I sometimes feel like the only audiogeek in the world who doesn't love these speakers.)
When we started looking for speakers I thought we would end up with Vandersteens, or Focals, or Sonus Fabers, or B&Ws or Alons or anything but Golden Ear Tritons. But we did and we're very happy.
So different strokes and all that.