2. analog
  3. 131874-71914

A battle between two turntable generations. Which one is the winner?

Being an electronic and acoustic enginner, I've worked for well renowned Companies in Germany, that led me to listen to all kind of analog equipments, from turntables to tonearms, cartridges... I love the analog sound!

While I've had the EMT 927 and 930, the SP-10 of all versions, VPI's, Thorens, etc... I ended with my reliable Garrard 301, that I bought brand new in London, England. Believe me, a well engineered plinth for the Garrard 301 transforms the 301 in an outstanding turntable.

Time passed and my beloved Fidelity Research FR-66 SS tonearm was substitued for the magnificent (and a bargain!) Trans-Fi Terminator (best linear tracking tonearm I've experienced). When I felt that it was time to change the Garrard 301 for a new one and based on the positive reviews, I emailed Bruce McDougall, the designer and owner of ANVIL turntables to quote a turntable that could suit the Terminator Tonearm. (Linear tracking tonearms need a VERY stable plinth to perform at best) because I would like to compare the Garrard with a contemporary turntable without breaking the bank.

The ANVIL comes complete (you can name it "turbinated") with adjustable motor board (adjustable string tension), adjustable arm board, the new bearing model and the proprietary magnetic levitated footers.

To make real comparisions, the only thing that I changed was the Garrard 301. Victor Patacchiola's tonearm (Terminator), Audio-Technica AT50ANV Limited Edition (the most natural cartridge ever!) and Steven Huang's Audio Sensibility Impact SE phono cable remained the same.

The main LP that I used (and accostumed with it, too) is a fabulous recording of Switzerland's vocal jazz "BRIGITTE BADER MEETS JOHNNY GRIFFIN", very very rare limited edition by ARS of Germany. Many japanese audiophiles that I know use this recording to "tune" their systems. If you come across this LP, please buy it! This is an all analogue recording made with purist techniques and direct recorded on a Studer B67 recorder.

Although the Garrard + Terminator show their positive potential on track 3, "HOW LONG HAS THIS BEEN GOING ON", (oh) boy!... the Anvil + Terminator is in a different league: it transformed the already perfect soundstage in an outstanding presentation. All the authoritative bass present in the Garrard (probably due to idler wheel drive??) stay there, but with tonal nuances never heard before. The Anvil is unbelievable quiet with perfect speed stability . Certainly the new bearing and a massive platter contributes for a clarity on complex passages that I have not ever experienced before. At $3700.00 (the price that I paid for the Anvil "turbinated with accessories") is a bargain if compared with some turntables that uses plastic, MDF (oh my God!) and other "fancy" materials. The Anvil is of all metal construction and is HEAVY (about 60lbs) and certainly this contributes for the supreme results.

I'm not affiliate with ANY companies mentioned in this review. I'm just a passionate audiophile searching for the best and this combination made my ears smiling!

Would you like to share with me, fellow Audiogon members, your impressions and thoughs about your phono system? Cheers!, Jose.
ultima700
slaw's avatar
slaw
21,372 posts
 
On-the fly is a nice option, but not a reason for overlooking buying a TT.

After all, if you are seriously thinking about a TT, you should know that this form of music reproduction is not "plug n’ play".

It requires a level of, first.... passion. This passion will lead you to the other obstikals you will encounter, such as isolation, various forms of set-up, record cleaning and so on.
anvil_turntables's avatar
anvil_turntables
53 posts
 
I don't think there are any turntables (not tonearms) that have on the fly VTA adjustment, but I could be wrong. The Technics, I think can be adjusted at it's base but not on the fly?  Mine will have this capability in the near future. 
bdp24's avatar
bdp24
9,788 posts
 

Thanks for your thoughts slaw and h-n-t-b, as always. The moving mass interacting with a soft suspension that I spoke of was that of the ET’s arm, which is considerably greater than that of the Trans-Fi. Brooks Berdan came up with that mod of his for the Oracle Delphi, of adding mass in a particular location of the tables floating sub-chassis, specifically to keep the suspension’s bounce perfectly vertical, even with the mass of the ET arm (an arm he really liked, and sold a lot of) moving across the LP.

By the way, I’ll be trying various isolators in place of the HW-19’s springs, but the table will be on a platform isolated from the top shelf of the equipment rack it sits on with, probably, Townshend Audio Seismic Pods. I have lots of sets of Ingress Engineering roller bearings, which do a great job of isolating in all planes but the vertical, where they instead couple. Can’t have that!

Slaw, I now see the method of your madness! LP’s can be had via Amazon for $13? I like to buy local in cause of warps, etc., but for the $10 difference I’ll take the chance! I bought my Beatles and Dylan mono LP boxsets mail order, ’cause they were SO cheap. Oregon doesn’t have State sales tax, but Amazon charges tax to Washington addresses. But the gas to drive into Portland from Vancouver is probably as much as the tax!

karl_desch's avatar
karl_desch
426 posts
 
Glad to see that the Anvil is getting some recognition.  I have been enjoying my version of Bruce's creation for several years now.  Such a versatile table that has allowed me to hear the differences in tonearms and cartridges in my system. I use Anvil magnetic footers below by table, pre, and power amps.  I'm looking forward to trying out his newer LP weight.  
terry9
2,333 posts
 
@bdp24 

Glad to see that your experience of Vic mirrored my own - very positive.

Low pressure compressors are available from Pets&Ponds. I have dealt there three times, three positives. Vic recommends just sufficient pressure to float the wand, a little less than 0.2 psi, but I prefer more pressure, 0.3 to 0.6 psi, which increases clarity. As you see, I use pressure as a tone control.

Enjoy!
More to discover