Switching to solid state amp?

Hi.  I switched to SS: Ayre MXR's, but after a couple of years was not satisfied with the outcome.  I went back to tubes: Octave MRE 220 with Super Black Boxes.  They are simply superb and have provided the absolute best of a tube and SS amp: fast, articulate transients and deep inner detail of the former and the true flesh and fulness that only tubes can properly deliver.  Don't know how the age of your current tube amp is but if its more than 10 years old then you should know that some modern tube amps like Octave have closed the gap (shut!) between the worlds of glass and transistors.

Pass/First Watt are a good place to start and Gryphon would be another option.  D'Agostino even better....does everything right.  A used S200 might be a little over your budget but worth stretching for.  I'm surprised Ayre has been mentioned as close to tubes....excellent solid state but it is said to be a bit dry.  Another suggestion would be to look at a Jeff Rowland amp.  Truly among the best of solid state.

Octave has an excellent reputation, including their integrateds.
As I understand it, and I might be wrong, Gryphon Diablo 120 is not quite Diablo 300 only less powerful. The latter is a reference level integrated. You would want to listen to them both if you considered Gryphon. The phono stage, $2200 option in either, should be excellent. Diablo 120 is $11k and Diablo 300 is $16k, without phono or dac. This would no doubt be different sound - Octave and Gryphon top integrateds.

just made the switch back to SS myself. Went from Rogue M-180's (loved 'em) to Pass X260.8's

There's nothing "modern" about vacuum tubes! Indeed, vacuum tube commerce has collapsed in the 40+ year lapse since I last used a tube-type audio amplifier. All of the principal domestic, British, Dutch, and German producers are now either defunct (like Tung-Sol Electric, my employer from ’57 - ’60), or they’ve long since ceased making tubes. The entire world market for (receiving-type) tubes is now confined to a small coterie of audio and guitar buffs, and served only by obscure Russian and Chinese suppliers with no previous market recognition. (There are other minor sources in former Soviet bloc countries.) The quality and reliability of the tubes made by those arcane foreign suppliers is a subject worthy of concern. And those sources will persist only as long as there’s viable demand, so the outlook for assured access to replacement stock seems dicey. Further, this situation prevails at a time when every instrumented means of evaluating audio quality validates the measurable superiority of modern solid state design, so it's hard to envision an audio future that will extend vacuum tube usage.