randy-11 ".or.. do something that is known to be important. . ."Do these ’known to be important’ tests require the use of the Spudnik R-11, your ’newly tuber ARC pre-amp’ as stated in the Teo cable thread? And do these tests need to be known only to you? What about the tests that are unknown to you? That could add up pretty quickly.
The new Synergistic Research BLUE fuses ....
New SR BLUE fuse thread ...
I’ve replaced all 5 of the SR BLACK fuses in my system with the new SR BLUE fuses. Cold, out of the box, the BLUE fuses stomped the fully broken-in SR BLACKS in a big way. As good as the SR BLACK fuses were/are, especially in comparison with the SR RED fuses, SR has found another break-through in fuses.
1. Musicality ... The system is totally seamless at this point. Its as if there is no system in the room, only a wall to wall, front to back and floor to ceiling music presentation with true to life tonality from the various instruments.
2. Extension ... I’ve seemed to gain about an octave in low bass response. This has the effect of putting more meat on the bones of the instruments. Highs are very extended, breathing new life into my magic percussion recordings. Vibes, chimes, bells, and triangles positioned in the rear of the orchestra all have improved. I’ve experienced no roll-off of the highs what so ever with the new BLUE fuses. Just a more relaxed natural presentation.
3. Dynamics ... This is a huge improvement over the BLACK fuses. Piano and vibes fans ... this is fantastic.
I have a Japanese audiophile CD of Flamenco music ... the foot stomps on the stage, the hand clapping and the castanets are present like never before. Want to hear natural sounding castanets? Get the BLUE fuses.
4. Mid range ... Ha! Put on your favorite Ben Webster album ... and a pair of adult diapers. Play Chris Connor singing "All About Ronnie," its to die for.
Quick .... someone here HAS to buy this double album. Its a bargain at this price. Audiophile sound, excellent performance by the one and only Chris Connor. Yes, its mono ... but so what? Its so good you won’t miss the stereo effects. If you’re the lucky person who scores this album, please post your results here.
http://www.ebay.com/itm/ULTRASONIC-CLEAN-The-Finest-Of-CHRIS-CONNOR-Bethlehem-Jazz-1975-NM-UNPLAYED-...
Overall impressions:
Where the RED fuses took about 20 hours to sound their best, and the BLACK fuses took upwards of 200 hours of total break-in, the BLUE fuses sounded really good right out of the box ... and that’s without doing anything about proper directional positioning. Not that the BLUE fuses don’t need breaking in, they do. The improvement continues through week three. Its a gradual break-in thing where each listening session is better than the last.
Everything I described above continues to break new ground in my system as the fuses continue breaking in. Quite honestly, I find it difficult to tear myself away from the system in order to get things done. Its truly been transformed into a magical music machine. With the expenditure of $150.00 and a 30 day return policy there’s really nothing to lose. In my system, its like upgrading to a better pre amp, amp, CD player or phono stage. Highly recommended.
Kudos to Ted Denney and the entire staff at SR. Amazing stuff, guys. :-)
Frank
PS: If you try the SR BLUE fuses, please post your results here. Seems the naysayers, the Debbie Downers and Negative Nellie’s have hijacked the original RED fuse thread. A pox on their houses and their Pioneer receivers.
Frank
I’ve replaced all 5 of the SR BLACK fuses in my system with the new SR BLUE fuses. Cold, out of the box, the BLUE fuses stomped the fully broken-in SR BLACKS in a big way. As good as the SR BLACK fuses were/are, especially in comparison with the SR RED fuses, SR has found another break-through in fuses.
1. Musicality ... The system is totally seamless at this point. Its as if there is no system in the room, only a wall to wall, front to back and floor to ceiling music presentation with true to life tonality from the various instruments.
2. Extension ... I’ve seemed to gain about an octave in low bass response. This has the effect of putting more meat on the bones of the instruments. Highs are very extended, breathing new life into my magic percussion recordings. Vibes, chimes, bells, and triangles positioned in the rear of the orchestra all have improved. I’ve experienced no roll-off of the highs what so ever with the new BLUE fuses. Just a more relaxed natural presentation.
3. Dynamics ... This is a huge improvement over the BLACK fuses. Piano and vibes fans ... this is fantastic.
I have a Japanese audiophile CD of Flamenco music ... the foot stomps on the stage, the hand clapping and the castanets are present like never before. Want to hear natural sounding castanets? Get the BLUE fuses.
4. Mid range ... Ha! Put on your favorite Ben Webster album ... and a pair of adult diapers. Play Chris Connor singing "All About Ronnie," its to die for.
Quick .... someone here HAS to buy this double album. Its a bargain at this price. Audiophile sound, excellent performance by the one and only Chris Connor. Yes, its mono ... but so what? Its so good you won’t miss the stereo effects. If you’re the lucky person who scores this album, please post your results here.
http://www.ebay.com/itm/ULTRASONIC-CLEAN-The-Finest-Of-CHRIS-CONNOR-Bethlehem-Jazz-1975-NM-UNPLAYED-...
Overall impressions:
Where the RED fuses took about 20 hours to sound their best, and the BLACK fuses took upwards of 200 hours of total break-in, the BLUE fuses sounded really good right out of the box ... and that’s without doing anything about proper directional positioning. Not that the BLUE fuses don’t need breaking in, they do. The improvement continues through week three. Its a gradual break-in thing where each listening session is better than the last.
Everything I described above continues to break new ground in my system as the fuses continue breaking in. Quite honestly, I find it difficult to tear myself away from the system in order to get things done. Its truly been transformed into a magical music machine. With the expenditure of $150.00 and a 30 day return policy there’s really nothing to lose. In my system, its like upgrading to a better pre amp, amp, CD player or phono stage. Highly recommended.
Kudos to Ted Denney and the entire staff at SR. Amazing stuff, guys. :-)
Frank
PS: If you try the SR BLUE fuses, please post your results here. Seems the naysayers, the Debbie Downers and Negative Nellie’s have hijacked the original RED fuse thread. A pox on their houses and their Pioneer receivers.
Frank
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- 2978 posts total
One of my qualifications is the fact that I placed third in the NY State Surfing Championships Senior Longboard Division in 2002 at Ditch Plains in Montauk. Got the trophy RIGHT HERE. There were only 2 others in my division, but still…a win's a win. Does a company like Littelfuse use inferior components? If so, somebody should let them know so they can improve those damn things a get the price up to somewhere that audio geeks can respect. During part of my little experiment with the black SR fuses I was being visited by a Real Famous Recording Engineer (name withheld because, well, you know) who used to be a neighbor and he suggested a little test. I leave the room, he ether does or doesn't swap out a black fuse for a Littlefuse (Or whatever fuse was in the components…some may have been other brands of "non special" fuses) and I was supposed to guess which was which. All the fuses were broken-in (supposedly, although maybe they lose their broken-in status when removed), and maybe or not reversed (no stone unturned around). We did this to each other all afternoon (!) and were flummoxed and bewildered and found no differences. Note that AC protection devises like fuses or breakers are NOT part of the "signal chain" technically, although obviously if they're not there when they're supposed to be the signal chain stops. To state that a good "normal" fuse creates distortion and noise is likely news to most component designers who seem to not be worried about it. |
wolf_garcia OP thread I appreciate all of this...although I think my comprehension capabilities are being woefully overestimated.He seems to acknowledge the results of tube rolling. But, not much else. I'm using them (they're stock with a new JD502P), and switched the Tung Sol 12ax7s to a matched pair of Thetubestore's "preferred" ones (select Chinese it would seem) and I love 'em...they provide a little more sparkle, tonal accuracy, and aren't expensive. |
Wolf, you say a fuse is not in the signal path--how so? Isn't the signal really the electrical energy that entered your system and came out in your speakers---with a message modulated upon that signal? A pure, quiet signal allows us to hear more of the message. That a component won't turn on if the fuse is missing should be considered important to its part in the signal. The history of Magnepan users who have removed the fuse banks is long and well documented; they sound a lot better, and they sound a lot better even by keeping the fuse banks and just replacing the Buss variety with SR's, and that's a fact, a certainty, formed by myself from my experience that I stand by. We're all sorry you didn't hear a difference with the SR Blacks. We don't tell you that you are mistaken or just not listening correctly, do we? But you are telling us we suffer from mass delusion and are easily led around by our noses because, if YOU don't hear a difference, no one else can, either. That perspective is far more troubling than anything you are coming up with and aiming toward us. I respect your audio experience, and I like your humor, though---great stuff. |
- 2978 posts total