New York HiFi Show: Tubes and Turntables


I was at the New York HiFi Show today.  It was hard to find many CD players, despite one with a price tag $40,000.  Virtually every room featured turntables and tubes. Sonically, it was a definite improvement over shows in the past.  Not too much sizzle and boom, although a lot of systems demonstrated big bass. Natural sounding components were the rule.
There were hardly any systems affordable by the average audiophile.  $100,000 rigs were not unusual. It seems demonstrators were prone to showing their best.
 With all the myriad of exotic stuff, I’m sorry I can’t remember too many names, but the re-introduction of sophisticated treble and bass controls and room-conditioning processors were impressive.
Of course, streaming was featured in many displays.
It wasn’t a large show, so it was comfortably do-able in one day.
rvpiano
@mapman the Ohm room disappointed me more than any other.  Honestly, if what they displayed represents the product accurately, I cannot even consider these speakers to offer anything approaching high fidelity.

Now, it's not that I don't consider myself an Ohm supporter.  My friend has one of the few (11?) pairs of Walsh A, that Lincoln Walsh began putting together prior to his sudden and untimely death.  My friend is a well known loudspeaker magician, and got the speaker working as he felt it should.  I've been around more speakers than I can count, and these are the single most impressive loudspeaker I've encountered.  In fact, when he illustrates how the speaker works in comparison to everything else, every other loudspeaker design doesn't seem to have a prayer.  Now, that's all well and good, but the important and obvious question is how do they sound?  Well, it's the only loudspeaker that I've experienced that can take hold of your insides and literally scare you to death.  And going up from the low frequencies, everything sounds as good as it gets.

For what it's worth, I found a couple of rooms that offered what I considered good sound, despite their usual affordability, Cambridge among them
Trelja,

What was the problem?   i was not there but most comments to date have been positive so just curious.   What are you comparing to?

It never surprises me that different people come away with totally different impressions of the same thing.    Happens every day.
@mapman you're right.  So far, I've read nothing but praise for the room.

During the time I spent at the show, playing the material they did, at the volumes they did, the Ohm room won my title for worst sound of the show.  And the distance between that and second place is more than I can put into words.  I even visited again after a while just to see if anything had changed.  Often, as in the Audio Note room, among others, you catch them at a bad moment, and one that doesn't properly convey the capability of a component.  I feel such a situation deserves a second listen.  As stated, I hope this sound represented some sort of anomaly, as no one could consider that high fidelity, or so I hope.

Both times I listened, the Ohm speakers played at a (not all that high) volume that completely overwhelmed the drivers.  The best description I can use is how a television or clock radio sounds when my family turns it way up so they can listen 3 rooms away.  Distortion attained a level I've not heard in a high-end audio loudspeaker in a very, very long time at those volumes.  Within that, low frequency extension didn't seem a heck of a lot better than the aforementioned non-audiophile implementations.  This coming from someone who's familiar with a properly set up pair of Ohm A that seem to go all the way down to DC.

What am I comparing it to?  Just 40+ years of hearing countless audio components in a variety of settings.  If that wasn't what you were asking, could you rephrase the question, please?