The new Synergistic Research BLUE fuses ....


New SR BLUE fuse thread ...

I’ve replaced all 5 of the SR BLACK fuses in my system with the new SR BLUE fuses. Cold, out of the box, the BLUE fuses stomped the fully broken-in SR BLACKS in a big way. As good as the SR BLACK fuses were/are, especially in comparison with the SR RED fuses, SR has found another break-through in fuses.

1. Musicality ... The system is totally seamless at this point. Its as if there is no system in the room, only a wall to wall, front to back and floor to ceiling music presentation with true to life tonality from the various instruments.

2. Extension ... I’ve seemed to gain about an octave in low bass response. This has the effect of putting more meat on the bones of the instruments. Highs are very extended, breathing new life into my magic percussion recordings. Vibes, chimes, bells, and triangles positioned in the rear of the orchestra all have improved. I’ve experienced no roll-off of the highs what so ever with the new BLUE fuses. Just a more relaxed natural presentation.

3. Dynamics ... This is a huge improvement over the BLACK fuses. Piano and vibes fans ... this is fantastic.

I have a Japanese audiophile CD of Flamenco music ... the foot stomps on the stage, the hand clapping and the castanets are present like never before. Want to hear natural sounding castanets? Get the BLUE fuses.

4. Mid range ... Ha! Put on your favorite Ben Webster album ... and a pair of adult diapers. Play Chris Connor singing "All About Ronnie," its to die for.

Quick .... someone here HAS to buy this double album. Its a bargain at this price. Audiophile sound, excellent performance by the one and only Chris Connor. Yes, its mono ... but so what? Its so good you won’t miss the stereo effects. If you’re the lucky person who scores this album, please post your results here.

http://www.ebay.com/itm/ULTRASONIC-CLEAN-The-Finest-Of-CHRIS-CONNOR-Bethlehem-Jazz-1975-NM-UNPLAYED-...

Overall impressions:

Where the RED fuses took about 20 hours to sound their best, and the BLACK fuses took upwards of 200 hours of total break-in, the BLUE fuses sounded really good right out of the box ... and that’s without doing anything about proper directional positioning. Not that the BLUE fuses don’t need breaking in, they do. The improvement continues through week three. Its a gradual break-in thing where each listening session is better than the last.

Everything I described above continues to break new ground in my system as the fuses continue breaking in. Quite honestly, I find it difficult to tear myself away from the system in order to get things done. Its truly been transformed into a magical music machine. With the expenditure of $150.00 and a 30 day return policy there’s really nothing to lose. In my system, its like upgrading to a better pre amp, amp, CD player or phono stage. Highly recommended.

Kudos to Ted Denney and the entire staff at SR. Amazing stuff, guys. :-)

Frank

PS: If you try the SR BLUE fuses, please post your results here. Seems the naysayers, the Debbie Downers and Negative Nellie’s have hijacked the original RED fuse thread. A pox on their houses and their Pioneer receivers.

Frank



128x128oregonpapa
@wolf_garcia I've read so many comments about the SR Red, Black and Blue fuses that I can't remember your major position on the topic of SR Fuses. Which of the SR Fuses have you tried in your system, which component, and did you hear an improvement?
Dear Ted…I clearly noted that I "read somewhere" they were made in China, and simply asking you if they were is hardly "fake news." Also, my forum name is simply protecting my privacy as are most of the others here, and you know that. I suppose a "trump-esque" response may seem appropriate these days but as a means of dodging my actual questions regarding your fuses it makes a case regarding your credibility, not mine. 

Lak…My test of a pile of SR Black fuses is described on the SR Black forum thread…enjoy! 

Wolfie ...

I "read somewhere" that through your stellar work in setting up sound systems for concerts in order to attain other-worldly loudness levels that you have destroyed your hearing. Can’t remember where or when I read it, but if I read it, it must be true.

I, and many others, are wondering as to what professional auditory tests you’ve put your ears through and how they measure. Until you submit the results of such testing we cannot give a fair analysis of your hearing acumen, or indeed, your competence in fuseology.

Please submit all testing data by posting the results of your latest auditory tests in this forum as soon as possible.

Thanks ...

Frank
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Both my ears recently tested as "meh," which according to my peers in audio live sound mixing is perfectly normal, and could explain why my live sound work has been described by some as "stellar." Here's the official data:


Left ear auditory rating: "Meh"


Right ear auditory rating: "Meh"