The new Synergistic Research BLUE fuses ....


New SR BLUE fuse thread ...

I’ve replaced all 5 of the SR BLACK fuses in my system with the new SR BLUE fuses. Cold, out of the box, the BLUE fuses stomped the fully broken-in SR BLACKS in a big way. As good as the SR BLACK fuses were/are, especially in comparison with the SR RED fuses, SR has found another break-through in fuses.

1. Musicality ... The system is totally seamless at this point. Its as if there is no system in the room, only a wall to wall, front to back and floor to ceiling music presentation with true to life tonality from the various instruments.

2. Extension ... I’ve seemed to gain about an octave in low bass response. This has the effect of putting more meat on the bones of the instruments. Highs are very extended, breathing new life into my magic percussion recordings. Vibes, chimes, bells, and triangles positioned in the rear of the orchestra all have improved. I’ve experienced no roll-off of the highs what so ever with the new BLUE fuses. Just a more relaxed natural presentation.

3. Dynamics ... This is a huge improvement over the BLACK fuses. Piano and vibes fans ... this is fantastic.

I have a Japanese audiophile CD of Flamenco music ... the foot stomps on the stage, the hand clapping and the castanets are present like never before. Want to hear natural sounding castanets? Get the BLUE fuses.

4. Mid range ... Ha! Put on your favorite Ben Webster album ... and a pair of adult diapers. Play Chris Connor singing "All About Ronnie," its to die for.

Quick .... someone here HAS to buy this double album. Its a bargain at this price. Audiophile sound, excellent performance by the one and only Chris Connor. Yes, its mono ... but so what? Its so good you won’t miss the stereo effects. If you’re the lucky person who scores this album, please post your results here.

http://www.ebay.com/itm/ULTRASONIC-CLEAN-The-Finest-Of-CHRIS-CONNOR-Bethlehem-Jazz-1975-NM-UNPLAYED-...

Overall impressions:

Where the RED fuses took about 20 hours to sound their best, and the BLACK fuses took upwards of 200 hours of total break-in, the BLUE fuses sounded really good right out of the box ... and that’s without doing anything about proper directional positioning. Not that the BLUE fuses don’t need breaking in, they do. The improvement continues through week three. Its a gradual break-in thing where each listening session is better than the last.

Everything I described above continues to break new ground in my system as the fuses continue breaking in. Quite honestly, I find it difficult to tear myself away from the system in order to get things done. Its truly been transformed into a magical music machine. With the expenditure of $150.00 and a 30 day return policy there’s really nothing to lose. In my system, its like upgrading to a better pre amp, amp, CD player or phono stage. Highly recommended.

Kudos to Ted Denney and the entire staff at SR. Amazing stuff, guys. :-)

Frank

PS: If you try the SR BLUE fuses, please post your results here. Seems the naysayers, the Debbie Downers and Negative Nellie’s have hijacked the original RED fuse thread. A pox on their houses and their Pioneer receivers.

Frank



oregonpapa
It is nice that designer Ted Denney with Synergistic Research Inc. is participating on this thread.  I have found it insightful when designers/manufacturers show up here to discuss and help us understand their products. Unfortunately, Ted's posts here have largely reiterated SR's marketing rhetoric about how they believe their fuses sound, but have not answered the technology-based questions that have been asked here about how any fuse, and specifically their fuses, can affect the tone and sound of a system to the degree indicated by both their marketing advertisements and by many of their fuse users.  I am also curious about how they are moving the technology forward to the point where each of four iterations of fuses can have such a reportedly "profound" improvement over the previous iteration.  Thanks for any insights.
About a week and a half ago I put an SR Blue fuse into my CJ Classic SE preamp with good results. This morning I replaced the stock fuse in my CJ Sixty SE amp with an SR Blue Fuse.
All I can say is wow! Out of the gate what an improvement in dynamics and extension!
As someone who likes to know how things work, I would be delighted to read anything Mr. Denney wishes to share. Having said that, I can think of a number of perfectly valid reasons why he might choose not to.

The obvious fact that the skeptics and detractors try to gloss over for their own purposes is that the performance of SR products is completely independent of his willingness, or unwillingness, to explain how they work.
-1 for using the old fake news defense here of all places.  Who does that?
Why would any manufacturer reveal how his/her products work? In a totally competitive market like audio there are those waiting on the side lines to steal someone else’s technology and profit from it.

Ted Denney owes these yahoos nothing. His road to success is to continue producing innovative products that are perceived to perform beyond the price paid by the end consumer. As a result, the man is experiencing a ton of success, and deservedly so. Here’s the key: "Help as many people get what they want FIRST, and you will get what you want in return."

tommylion ...

You’re getting fantastic cello and double bass sound now, right? Amazing, no?? The combination of the tube dampeners and the Blue fuses are killer. But ... just wait until the "secret tweak" comes on the market. Like the old vaudeville crooner used to say ... "You ain’t heard nuttin’ yet. :-)

And speaking of music, does it get any better than this: 

https://www.youtube.com/watch?v=3UTmuKLoEeQ

https://www.youtube.com/watch?v=upJ3OgMRiUA

And she lives on ...

https://www.youtube.com/watch?v=ZSfgCIGd7k4

Frank