The new Synergistic Research BLUE fuses ....


New SR BLUE fuse thread ...

I’ve replaced all 5 of the SR BLACK fuses in my system with the new SR BLUE fuses. Cold, out of the box, the BLUE fuses stomped the fully broken-in SR BLACKS in a big way. As good as the SR BLACK fuses were/are, especially in comparison with the SR RED fuses, SR has found another break-through in fuses.

1. Musicality ... The system is totally seamless at this point. Its as if there is no system in the room, only a wall to wall, front to back and floor to ceiling music presentation with true to life tonality from the various instruments.

2. Extension ... I’ve seemed to gain about an octave in low bass response. This has the effect of putting more meat on the bones of the instruments. Highs are very extended, breathing new life into my magic percussion recordings. Vibes, chimes, bells, and triangles positioned in the rear of the orchestra all have improved. I’ve experienced no roll-off of the highs what so ever with the new BLUE fuses. Just a more relaxed natural presentation.

3. Dynamics ... This is a huge improvement over the BLACK fuses. Piano and vibes fans ... this is fantastic.

I have a Japanese audiophile CD of Flamenco music ... the foot stomps on the stage, the hand clapping and the castanets are present like never before. Want to hear natural sounding castanets? Get the BLUE fuses.

4. Mid range ... Ha! Put on your favorite Ben Webster album ... and a pair of adult diapers. Play Chris Connor singing "All About Ronnie," its to die for.

Quick .... someone here HAS to buy this double album. Its a bargain at this price. Audiophile sound, excellent performance by the one and only Chris Connor. Yes, its mono ... but so what? Its so good you won’t miss the stereo effects. If you’re the lucky person who scores this album, please post your results here.

http://www.ebay.com/itm/ULTRASONIC-CLEAN-The-Finest-Of-CHRIS-CONNOR-Bethlehem-Jazz-1975-NM-UNPLAYED-...

Overall impressions:

Where the RED fuses took about 20 hours to sound their best, and the BLACK fuses took upwards of 200 hours of total break-in, the BLUE fuses sounded really good right out of the box ... and that’s without doing anything about proper directional positioning. Not that the BLUE fuses don’t need breaking in, they do. The improvement continues through week three. Its a gradual break-in thing where each listening session is better than the last.

Everything I described above continues to break new ground in my system as the fuses continue breaking in. Quite honestly, I find it difficult to tear myself away from the system in order to get things done. Its truly been transformed into a magical music machine. With the expenditure of $150.00 and a 30 day return policy there’s really nothing to lose. In my system, its like upgrading to a better pre amp, amp, CD player or phono stage. Highly recommended.

Kudos to Ted Denney and the entire staff at SR. Amazing stuff, guys. :-)

Frank

PS: If you try the SR BLUE fuses, please post your results here. Seems the naysayers, the Debbie Downers and Negative Nellie’s have hijacked the original RED fuse thread. A pox on their houses and their Pioneer receivers.

Frank



128x128oregonpapa
Just 20 year ago many couldnt conceive that a 3ft powercord swinging off the end of a mile long ac transmission line could improve the sound of ones system..Whats the ratio of length between a power cord and a transmission line.? Whats the ratio in length between a powercord and a fuse?

The glass fuse is a fine line element in series with all the other conductors in an audio system. The fuse element is held in place at either end by the endcaps. To reduce the affects of shear on the overall fuse design all the materials would need to have the same shear velocity. That would mean the element the endcaps and the solder and the enclosure should all be of the same material or at least selected knowing that all these materials have different speeds and their inneraction. The other crucial factor maybe that the element is blunt force impacted by the geometry of the endcap. You will have a polarity of shear at either end of the conductor reflected back into oncoming traffic. Shear changes polarity and becomes more or less reflective with a change in boundary shape and angle. If the shear is reflected in either direction this may explain why fuses can sound better in one direction vs the other. They could offer more or less shear because of production differences from end to end and impurities at the connecting points the impedance would be different and alter direction. Tom 
I am still happy that my Pass XA160.8s have thermal magnetic breakers. Have not had to change fuses — Red > Black > Blue.
nkonor

Great addition..

You may have the perfect safe path especially if they take too a graphene solution.  Magnets coated in graphene would be better but certainly not safe. Tom

Has anyone had good results with the SR Blue Fuses and 300B mono amps........8 watts?

Op, just responding to you since you seem to be “calling me out”.  I haven’t really been paying much attention to this thread.  
I take it from your response that your blue fuses were free to you, as a beta tester, although you did not actually say that.  The answer was kind of vague, so that was just my impression, since you asked.  I have no issue with that.  Beta testers can be useful.  That said, there is a phenomenon of a chef always liking his own soup.
Glad you are enjoying your system.