One more note, plus caveat.
One poster was dismissive of digital piano recordings. I disagree. The odds of getting a good result are vastly higher with digital recording, IMO. My home studio isn’t set up for an acoustic piano, but I’ve been to commercial recording sessions where we made an analog recoding of an acoustic piano. It’s not easy to get it "right" and there can be a ton of debate as to what "right" actually is.
I routinely get excellent results recording a piano in my home studio, using piano-teq modeled pianos, and Ivory or NI sampled pianos. The very best SQ piano recordings may be analog sessions with a great instrument, a great space, and a recording team vastly more skilled than I am, but - on average - digital recordings are preferable to me.
Caveat: My sensitivities to flaws in a recording aren’t necessarily the same as anyone else’s. A squeak from a bench can (and has) ruin an otherwise beautifully recorded passage.
One poster was dismissive of digital piano recordings. I disagree. The odds of getting a good result are vastly higher with digital recording, IMO. My home studio isn’t set up for an acoustic piano, but I’ve been to commercial recording sessions where we made an analog recoding of an acoustic piano. It’s not easy to get it "right" and there can be a ton of debate as to what "right" actually is.
I routinely get excellent results recording a piano in my home studio, using piano-teq modeled pianos, and Ivory or NI sampled pianos. The very best SQ piano recordings may be analog sessions with a great instrument, a great space, and a recording team vastly more skilled than I am, but - on average - digital recordings are preferable to me.
Caveat: My sensitivities to flaws in a recording aren’t necessarily the same as anyone else’s. A squeak from a bench can (and has) ruin an otherwise beautifully recorded passage.