I have a lof of experience with acoustic live music. One of my best friend had a concert room with a Steinway piano. And he gave small classical concerts.
This made me aware what intimate sound is and does with both voices and instruments. Intimate sound is also an important part of Tru-Fi.
The Hurriane and Dragon both are able to create a stunning realistic proportion. But it goes even further than this alone. It also can give a voice or instrument a more realistic shape.
When you want to create a sound and stage wich creates a stunning 3D holographic stage with intimate and realistic individual focus of voices and instruments. You need the right properties for it. And creating a shape is even more difficult.
When I auditioned a lot of classical music I started to understand what a shape of an instrument is and how it is being formed.
Everything I hear during live music I want to create. It is in my head and I work it out until I can create it.
Many of my tests proof that many products and brands don't own all the properties of sound. Beside that many also are not able to fill it in the right way.
This is why you need to know all the individual properties of each part. In all other situations you are doing audio by pure gambling.
Many people I spoke this year who also work in audio started to laugh when they admit that the way they do audio is more like gambling.
It proofs that most have no idea how they work untill you confront them.
This made me aware what intimate sound is and does with both voices and instruments. Intimate sound is also an important part of Tru-Fi.
The Hurriane and Dragon both are able to create a stunning realistic proportion. But it goes even further than this alone. It also can give a voice or instrument a more realistic shape.
When you want to create a sound and stage wich creates a stunning 3D holographic stage with intimate and realistic individual focus of voices and instruments. You need the right properties for it. And creating a shape is even more difficult.
When I auditioned a lot of classical music I started to understand what a shape of an instrument is and how it is being formed.
Everything I hear during live music I want to create. It is in my head and I work it out until I can create it.
Many of my tests proof that many products and brands don't own all the properties of sound. Beside that many also are not able to fill it in the right way.
This is why you need to know all the individual properties of each part. In all other situations you are doing audio by pure gambling.
Many people I spoke this year who also work in audio started to laugh when they admit that the way they do audio is more like gambling.
It proofs that most have no idea how they work untill you confront them.