PWK Khorns for decades. They have a deep sound stage, when properly voiced with good quality amps. Quality is key. And most of my listening is done slightly below 90dB.
In the last 60 years of this hobby I've heard systems that sound as good or only different, but none better. And none that delivered a "live in the next room" sound.
I have Martin Logan ESL's in another room, which are extremely transparent but sterile. I like the MLs, but they are not very involving. They provide a good reason to talk about and discuss amplifiers with other audiophile. Good material for helping selling amps in audio rags. Had Maggie's, Quads . . . same issue despite throwing tons of watts at them at any level. Odd, that I still like the MLs.
In the last 60 years of this hobby I've heard systems that sound as good or only different, but none better. And none that delivered a "live in the next room" sound.
I have Martin Logan ESL's in another room, which are extremely transparent but sterile. I like the MLs, but they are not very involving. They provide a good reason to talk about and discuss amplifiers with other audiophile. Good material for helping selling amps in audio rags. Had Maggie's, Quads . . . same issue despite throwing tons of watts at them at any level. Odd, that I still like the MLs.