Uberwaltz, I tend to agree with you about the comparisons between digital and analog but found that if I use a higher resolution in recording, in my case 96/24, the A/B comparison yields results that are far less distinguishable. Further, recordings in SACD 256 are even better and may really be the way to go if one intends to archive an entire collection. That said, it all starts with the source and if you have a lousy recording in the studio, no medium nor format is going to make it sound any better than the original. Just my 2 cents.
Looking for thoughts from Nottingham Analog table owners
Really like the looks and the build quality of the Nottingham tables, and it does not hurt that I am originally from Nottingham, England to start with...lol
But I have read a few reviews that claim they are pretty tricky to set up and some suffer 60hz hum fairly easily?
Would like to hear from actual owners, your arms, carts etc
Would be upgrading from a Funk Firm Vector with Grado Gold which is deathly quiet as far as hum and in its own right is very musical in my rig.
Thank you
But I have read a few reviews that claim they are pretty tricky to set up and some suffer 60hz hum fairly easily?
Would like to hear from actual owners, your arms, carts etc
Would be upgrading from a Funk Firm Vector with Grado Gold which is deathly quiet as far as hum and in its own right is very musical in my rig.
Thank you
- ...
- 73 posts total
- 73 posts total