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Classical Music for Aficionados

I would like to start a thread, similar to Orpheus’ jazz site, for lovers of classical music.
I will list some of my favorite recordings, CDs as well as LP’s. While good sound is not a prime requisite, it will be a consideration.
  Classical music lovers please feel free to add to my lists.
Discussion of musical and recording issues will be welcome.

I’ll start with a list of CDs.  Records to follow in a later post.

Berlioz: Symphonie Fantastique.  Chesky  — Royal Phil. Orch.  Freccia, conductor.
Mahler:  Des Knaben Wunderhorn.  Vanguard Classics — Vienna Festival Orch. Prohaska, conductor.
Prokofiev:  Scythian Suite et. al.  DG  — Chicago Symphony  Abbado, conductor.
Brahms: Symphony #1.  Chesky — London Symph. Orch.  Horenstein, conductor.
Stravinsky: L’Histoire du Soldat. HDTT — Ars Nova.  Mandell, conductor.
Rachmaninoff: Symphonic Dances. Analogue Productions. — Dallas Symph Orch. Johanos, cond.
Respighi: Roman Festivals et. al. Chesky — Royal Phil. Orch. Freccia, conductor.

All of the above happen to be great sounding recordings, but, as I said, sonics is not a prerequisite.


rvpiano
newbee
4,815 posts
 
A couple of off the beaten path 'Symphonies' that I just listened to (but not for the first time!) that I really enjoy when I just want to hear big, bombastic stuff, sort of like many Strauss tone poems, not so much like a more formal  symphony.  Franz Liszt's "Dante Symphony" by Leon Botstein and the LSO on Telarc, and "A Faust Symphony" by Ivam Fisher and the Budapest Festival Orchestra on Phillips. I really enjoy both but I'm partial the the Faust because of the inclusion of the third movement (choral) which includes the voice of Hans Peter Blochwitz. On the cheap you can get a Bernstein and the BSO  performance at Tanglewood on the DG label. Pretty good too!
schubert
7,386 posts
 
IMO, and many others as well, the GREAT Swiss oboist , Heinz Holliger, was the greatest instrumentalist of our time . He played with every good symphony of the world and was the most sought after player in the world .
Also taught music, not just oboe. at a top German conservatory for many years and was/is a composer .
Those who have heard him know what I mean when I say it is hard to believe anyone could play anything that well but for those who haven’t a top choice to hear music played as well as it can be played is.
Telemann/ Concerti per oboe/ Academy of St. Martin-in-the Fields under Iona Brown . Phillips 412 879-2 .
It was recorded in 1981 when he was at his pinnacle and has that warm Phillips sound .
Still alive and active at 79 !
craigl59
307 posts
 

Time to get this thread moving again.

Have thought of several challenges for you astute pundits. The first is the answer to the question "what is the most difficult orchestral work?"

The rules require that it be played more or less regularly and that it be instrumental only (no solo concertos either -- we'll make that another category). Sorry, Mahler 8th lovers...

So I'll start off the sweepstakes with two examples: Bartok's Concerto for Orchestra and Strauss's An Alpine Symphony. The first has intricate contrapuntal textures and associated rhythmic complexity -- and each orchestral section is treated like a concerto instrument, thus the name.

The Strauss has tremendous bombast along with its technical demands as well as Herculean length and orchestral size. Neither of these opuses is comfortable for the average orchestra.

But you folks can come up with better examples, so I leave it to you to tell me the most difficult orchestral composition. And if you have an orchestra and conductor that tamed the beast, so much the better.

twoleftears's avatar
twoleftears
5,324 posts
 
Concordia Viols, "Crye" (English Viol Music), on Metronome CD.  Wonderful music and wonderful recording.
rvpiano's avatar
rvpiano OP
2,794 posts
 
I’ve been away for ten days and unable to contribute anything to this thread, but now will try to catch up.
Khatia Buniatishvili is indeed an extraordinary pianist.  If you want to hear how incredible she is, listen to her take on Mussorgsky’s “Pictures at an Exhibition.”
totally original concept, with Horowitzian technique.  On the same CD is a sizzling Ravel’s “La Valse.”

On the subject of the most most difficult piece to perform, several decades ago, I bought tickets to hear Strauss’ “Ein Heldenleben” conducted by Klaus Tennstedt.
when I showed up at Carnegie, there was an insert saying he was ill and was being replaced by James DePreist.  I was bummed out because I had bought these tickets months in advance to hear Tennstedt.  
But I was bummed out even more after I heard I believe it was The Philadelphia Orchestra totally butcher the piece into unrecognition.  The only conclusion I can draw, is that the piece must be a bear to play, and that DePreist couldn’t bring it together with limited rehearsal.
More to discover