Usability Issues with Tidal


I’ve been using Tidal since October. So far, I’ve been less than impressed by the user experience, especially the user interface. Tonight, I was in the process of setting up my new Bluesound Node 2 with Tidal. I forgot my password so I went online to request a reset link, which is what all websites require. I don’t get the link for over an hour. Then the link came during dinner, and the email said the link would expire in 10 minutes. I tried anyway and it didn’t work. I had to ask for another password reset. Another hour later, I received an email and then I immediately tried to set a new password. It would not work. To me, this is sub-standard, especially for a “premium” service. 
They don’t have any live tech support, no chat, nada. 
Wondering what you all think about your user experiences with Tidal so far. Do you think the better SQ makes it worth it?
wakethetown
@givin2u I agree with you about customer service. I never did hear back from Tidal about the difficulties I was having. A human to interact with is not too much to ask. They aren’t a startup anymore. 
In terms of SQ, after a few days listening to tracks, both MQA and CD quality, I have to say that it really varies from song to song. I can hear the tonal richness with the MQAs, the extra depth across the frequency range, but in many cases the codec seems to overly smooth things out. I don’t have the precise language to describe but it’s a homogenous filter that robs the music of energy. The CD tracks on Tidal sound a bit harsh, jagged in comparison, but have more energy and intensity. I’m not satisfied either way. As you all have mentioned perhaps I’m running into the limitations of the Node2’s DAC.

I’ve started reading about digital music. Oh my! Never realized what a labyrinth I was entering. Looks like MQA is going to become the standard just as Redbook did for business reasons not musical ones.  Arguments about PCM vs DSD, the limits of our ability to hear differences etc. It almost reminds me of the debates surrounding GMOs. I am not well-enough informed but it seems that the analogue mastering process is more “organic” whereas the digital codecs are allowing/forcing sound engineers to fiddle with the genetic structure of the music.  What I’m sometimes hearing is Franken-music. All the parts are there but in an arrangement that just seems “off”. Maybe there is no “right” just “different”. I’ve never contemplated this in such stark terms before. Hi-fi as a means to philosophical contemplation...
Update: just got a password update from a tech support rep at Tidal after 4 days. Service with a smile. Their SLA is SOL.
Thought this article was intriguing: http://www.digitalaudioreview.net/2017/12/wyred-4-sound-dac2v2se-10th-anniversary-review/
If the router in is an actual Cisco router running some iteration of IOS, its not likely and ideal router for home use. The cost of those devices are far beyond throughput and the ability to support a vast range of protocol and service and an endless level of configuration flexibility. For most typical home networking needs, they will be outperformed by devices that are geared for the average home user. I work on their ISR, ASR, CSR, Nexus, and Catalyst series throughout the day and except for the VM iterations, I wouldn't run any of them at home. Even with the VM iteration, it simply has features I have little use for at home.

They did have the small business line with Linksys during their ownership, but that was no more than in name. Better products were to be had by other vendors at that tier.

WiFi, even a decent unit, will have a large number of factors affecting performance. With the right set of tools, you can resolve many of the issues but some are not feasible to overcome without significant cost. Wired Ethernet will nearly always have a step up over wireless in nearly every scenario. Not always an option, but creating a test run is at least the gold standard. If there is a perceived sound quality difference, my best guess is that processors are working on error correction via TCP that address packet errors over the WiFi network. While all the data comes through, some latency through player may be created of no TCP offload processor exists that handles TCP error correction.

The Bluesound Node 2 is basically a variation of a Rasberry Pi3 like IOT board with some customized options. You're really paying for the software development over hardware. Its best use might be a transport device, but I couldn't say if it has a jitter prone output. 


My router is a Meraki, which is owned by Cisco. It’s professionally set-up by a network IT specialist. It’s definitely not the issue. 

I’m probably going to send the Node2 back to the store. I’m not sure what jitter issues sound like, but I don’t like the overly smoothed out sound I’m getting. The tracks lack dynamic punch.  
I’m likely going to give the Cambridge Audio CXN V2 a trial.  I’m curious why do few DACS have an Ethernet connection. I really don’t want to go through all that is required to run a Mac mini server, but it looks like that might be what’s ahead. 
Yes, Meraki was purchased by Cisco and its part of its SDN portfolio and is not a core Cisco product. It doesn't even have any of Cisco specific developed protocols that make them unique and has somewhat independent development.

I wouldn't discount on having impact as it contains features that are not typical for the home users. For example, it offers an IPS solution that is running Snort, and dependent on the rules being used, could impact web streaming services. The content filtering isn't likely a problem since those are quick to process and cached to some degree. The AV/Malware scanning options will also significantly impact its performance. If this device is being used in conjunction with a VPN tunnel, the typical AES encryption method used for those transfers could very easily eat up the CPU. A professionally configured unit to myself just means more advanced features could be enabled, thus putting a greater load. You really couldn't tell until you opened up the Meraki Dashboard and reviewed the settings. But if those features are not in use, the sytem should have more than adequate power. 

Based on what your comments about the sound though, I would agree with returning the Node2. Jitter issues will manifest themselves in very different ways depending on the device. Some devices will buffer any input to mitigate source jitter issues and others could be significantly affected. PS Audio DSD series has such buffering solutions in their product. They might have called it 'Digital Lens' at some point. Most modern DAC's today do buffer incoming data as they simply anticipate users will potentially see this out of some source devices.

As for why DAC's have few Ethernet connections, its more to do with continual changes in streaming standards than anything else. It means continued support and updates for client devices as new version of DLNA, Airplay, or Roon RAAT may be needed ongoing. Its a hard to quantify cost over the expected life of a component. Remember our audio components due have a longer shelf life than many consumer electronic devices users buy today. With that, many designers feel that an external transport solution might be best for something that will likely change once if not more in the expected service life of the DAC.