exceptional voices of female singers (non-classical)


What I'm talking about here is what critics of classical singing refer to as "the instrument": the exceptional beauty or uniqueness of the timbre of the voice qua voice.  For the moment, put aside preferences w.r.t. repertoire, interpretation, performance, style, delivery, etc., and just consider the *sound* of the voice.  We're *not* talking about favorite female artists here, because that kind of preference is based on a whole amalgam of factors.

I suspect some of the top figures in the category I've tried to define often aren't very popular among audiophiles, because of those many other factors.

My first three nominations: Barbra Streisand, Linda Ronstadt, Eva Cassidy.

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I could probably add another voice or two every day for quite awhile (I love female voices), but above left out a few that simply MUST be included: Aretha Franklin, Arlene Smith (of The Chantels---you have GOT to hear her sing "Maybe"), Brenda Lee, Peggy Lee, Wanda Jackson, Ruth Brown, Lucinda Williams, Bonnie Raitt, Kasey Chambers, Dusty Springfield, and Judy Garland.
For me it's all about the emotion and soul:

The greats include:

Etta James.
Lucinda Williams.
Sandy Denny.
Aretha Franklin.
PP Arnold.
Anne Peebles.
Irma Thomas.
Emmylou Harris.
Allison Moorer.
Dusty Springfield.
Maggie Bell.
Gloria Jones.
Bessie Smith.
Billie Holiday.
Wanda Jackson.
Lisa Kekaula.
Koko Taylor.
Mavis Staples.
Patti Smith.
and a few more.

They do not include:

Mariah Carey.
Celine Dion.
Whitney Houston.
Diana Krall.
etc.

Who have no soul.
Apparently none of you have heard Tierney Sutton, a very classy jazz singer with incredible backup musicians. She recently did an album of classic Joni Mitchell songs with Mark Summer and Turtle Island String Quartet “After Blue “. Give her a listen!