Ralph:
In your sofa analogy, where are the persons who are supposed to represent the bearings positioned? I am trying to picture this analogy and it is not working in my head LOL (maybe its my head :). If they're both facing each other along the long sides of the sofa in order to imitate the arm/bearing in the horizontal plane, they would both experience the same weight. If they are at the ends of the sofa, I don't see the similarity with a tonearm bearing in the horizontal or vertical plane.
Also, I have played, in direct comparison the Technics with albums that I also happen to have on tape (R2R Safety Master Copy) and I will state that in my system the bass sounds dead on. There are no aberrations which stand out. I have compared Café Blue (15ips and 33.3), Jacintha is Her Name (15ips and 45) and Here's to Ben (15ips and 45). I have also done this with CD. Café Blue is a digital recording, 16bit 48khz if I recall correctly.
Note that I did not state the Lp and the tape sound identical.
In your sofa analogy, where are the persons who are supposed to represent the bearings positioned? I am trying to picture this analogy and it is not working in my head LOL (maybe its my head :). If they're both facing each other along the long sides of the sofa in order to imitate the arm/bearing in the horizontal plane, they would both experience the same weight. If they are at the ends of the sofa, I don't see the similarity with a tonearm bearing in the horizontal or vertical plane.
Also, I have played, in direct comparison the Technics with albums that I also happen to have on tape (R2R Safety Master Copy) and I will state that in my system the bass sounds dead on. There are no aberrations which stand out. I have compared Café Blue (15ips and 33.3), Jacintha is Her Name (15ips and 45) and Here's to Ben (15ips and 45). I have also done this with CD. Café Blue is a digital recording, 16bit 48khz if I recall correctly.
Note that I did not state the Lp and the tape sound identical.