exceptional voices of female singers (non-classical)


What I'm talking about here is what critics of classical singing refer to as "the instrument": the exceptional beauty or uniqueness of the timbre of the voice qua voice.  For the moment, put aside preferences w.r.t. repertoire, interpretation, performance, style, delivery, etc., and just consider the *sound* of the voice.  We're *not* talking about favorite female artists here, because that kind of preference is based on a whole amalgam of factors.

I suspect some of the top figures in the category I've tried to define often aren't very popular among audiophiles, because of those many other factors.

My first three nominations: Barbra Streisand, Linda Ronstadt, Eva Cassidy.

128x128twoleftears
Staying strictly with the OP's concept of best "instrument" (purity of tone, range, timber) and leaving aside issues of interpretation, phrasing, and in the case of 2 of those below, choice of material, my short list is, in no particular order:
Linda Ronstadt
Whitney Houston
Alison Krauss
Christina Aguillera 
Sara McLachlan


non-pop list.
Lhasa De Sela (Canada, Mexican-Jewish descent)
Anita O'day -- quarter tone master
Melody Gardot
Madeleine Peyroux
Nina Hagen 4.5 octave bad ass.
5,6,7,8's ooobedooobedooo!




I’ll add Allison Moyet (Yaz and Solo) and Johnette Napolitano (Concrete Blonde) to the list. Great, Big voices.
Wow, nobody (including me till this point) mentioned Annie Haslam of Renaisance ?