Does anyone like vintage speakers?


I am surprised that there is a renewed interest in vintage electronics from the "golden age" of "HiFi". But I see little interest in period speakers. Without the speakers you really can't recreate the sound.
mechans
The vintage speakers from the so called Golden age (when they are of the brands known for top engineers)will go head to head with anything and everything in audio today. Altec, Western Electric, certain EV, certain JBL have the finest mids and highs ever reproduced. No voice or tenor sax is more accurate than from a hand tuned aluminum diaphragm Altec 288 on a tar filled 1005 or 805 horn. It is simply like having the artist standing in your room. An old AR, Advent, or Cornwall is not in this league by a wide margain. These lesser vintage offerings often taint the group as a whole.
I would respectfully disagree with you, Ampster. Vintage speakers were designed around the limitations of amplifiers of the period - when 10W was considered a powerful amplifier. Consequently, nearly every vintage speaker I have heard sounds coloured, has flabby bass, and limited in both frequency extremes.

Modern speaker designers have fewer such limitations - so they sound more neutral and more extended. I would submit that a modern Avantgarde or Tannoy sounds better than vintage Altec or JBL.
nearly every vintage speaker I have heard sounds coloured, has flabby bass, and limited in both frequency extremes
If that's all you've heard, then I submit you haven't heard a properly set up vintage system. The key element here is enclosure size. Many of the better drivers from Altec, E-V, JBL and other were designs to sound best in really large or even infinite baffle type enclosures. I'm talking about cabinets with 15 cu. ft. or greater volume. As a practical matter most manufacturers ended up making many models in smaller, less optimal cabinets and tailored the bass response to sound bassy as opposed to accurate. Examples of vintage speakers with truly great bass extension and performance are Bozak Concert Grands or E-V Georgians/Patricians.

Many of the better vintage manufacturers came out of the movie theater industry and made their names producing speakers that were very large, went very loud and could project their sound in a controlled manner throughout a large area. I know many people love their VOTTs, but I just don't think they sound right in normal size and styled listening rooms. What these speakers can do extremely well is midrange frequencies. Voices, arguably the toughest instrument to get right, can sound very real on these type of speakers.

IMO modern designs clearly have a more extended treble than vintage. It's a debatable point whether this is truly critical or not.

Classical Audio Reproduction, a fine Michigan company, manufactures loudspeakers based upon vintage design, but uses modern materials. I wouldn't say they are better than competing, more modern based designs, but they certainly are competitive with them.
New speakers today are compact, beautiful to look at (wife friendly) handle lots o power,built w/ close tolerances, ect,ect, blah,blah,blah.... It doesnt mean IMO that they are "better" than the vintage speakers. Oh yea, they handle more power, easy to bi-amp, tri- amp ect... but....I use JBL 4345's paired w/ modded Khorns, (alk xtreme slope xovers, alk trachorn, beyma tweeter, solid silver cardas wiring) 2 MC2000's driving Khorns, 1 MC 352 JBL's, and I would put this up to MOST ANY of new speakers out there! Of course Its NOT just ME sayin how great this sounds but others who spent mucho on the newest greatest.... It definetly is a BIG footprint but, I think it would cost alot more to get a "modern" design....