Opalchip's right on point.
Not only are none of the people here are willing to address the specific performance/measurement issues raised by Hardesty, but the responses from John at Wilson and Michael Fremmer completely ignore those tough questions. Is anybody who wants to defend Wilson capable of addressing those issues. Also, some of these issues apply to a majority of other so-called "high-end" loudspeaker designs.
Issues:
**Steep-slope crossover causes time/phase distortion and requires that midrange driver be wired out-of-phase with tweeter and woofer.
What if you had purchased a new high-end power amplifier and found that it inverted the phase of the midrange frequencies in relation to the rest of the spectrum. This would be laughably unaccceptable. Why isn't the same true in a loudspeaker?
How can a design like this accurately reproduce the waveform?
** Frequency response is less flat than many inexpensive designs. Why?
** How can a 7" woofer reproduce subtle detail in the upper midrange?
Not only are none of the people here are willing to address the specific performance/measurement issues raised by Hardesty, but the responses from John at Wilson and Michael Fremmer completely ignore those tough questions. Is anybody who wants to defend Wilson capable of addressing those issues. Also, some of these issues apply to a majority of other so-called "high-end" loudspeaker designs.
Issues:
**Steep-slope crossover causes time/phase distortion and requires that midrange driver be wired out-of-phase with tweeter and woofer.
What if you had purchased a new high-end power amplifier and found that it inverted the phase of the midrange frequencies in relation to the rest of the spectrum. This would be laughably unaccceptable. Why isn't the same true in a loudspeaker?
How can a design like this accurately reproduce the waveform?
** Frequency response is less flat than many inexpensive designs. Why?
** How can a 7" woofer reproduce subtle detail in the upper midrange?