Beetlemaina,
Sounds like you are edging toward how I listen. I’ve always preferred closer listening, away from room boundaries, which inevitably makes for smother more immersive sound, and better apprehension of subtle detail. Those more subtle details go missing from further away, and get lost in room bounce “hash.” I hear more of the individual tonality of instruments captured in the recording as well as more details of the acoustics/reverb of the recording.
The only thing that starts to fall away a bit more with closer listening is the sense of liveliness so I always look to maintain a balance.
Fortunately I have a really good room that is well damped (not too damped) and low in such factors so I can still use a further listening distance and still hear great detail in the recording. But for soundstaing immersion I still like a fairly close seat.
Sounds like you are edging toward how I listen. I’ve always preferred closer listening, away from room boundaries, which inevitably makes for smother more immersive sound, and better apprehension of subtle detail. Those more subtle details go missing from further away, and get lost in room bounce “hash.” I hear more of the individual tonality of instruments captured in the recording as well as more details of the acoustics/reverb of the recording.
The only thing that starts to fall away a bit more with closer listening is the sense of liveliness so I always look to maintain a balance.
Fortunately I have a really good room that is well damped (not too damped) and low in such factors so I can still use a further listening distance and still hear great detail in the recording. But for soundstaing immersion I still like a fairly close seat.