How much is MQA conversion?

Wouldn’t Tidal offer standard 16/44 FLAC files as an alternative to MQA?

Tidal does offer different resolutions for the same album in some of the more popular recordings. You kind of have to dig around, though.
B

" Wouldn’t Tidal offer standard 16/44 FLAC files as an alternative to MQA? " - CAMB

Sure. But for how long?

You have to understand that what is being attempted by a few large record companies represents and industry paradigm shift - a shift that has absolutely nothing to do with sound quality and everything to do with marketing, profitability, and control. Alternatives to MQA surely exist now. However, if the industry that produces and distributes recordings through physical media or streaming changes how it operates overnight by adopting a proprietary, heavily encrypted/secured coding standard, alternative choices regarding file type, access, and sound quality can also dry up overnight. At present, you have an "open source" standard in which the gradations from highest quality (192khz/24 bit) to MP3 are transparent to both equipment manufacturers and end users alike. If MQA were to become the "new industry standard", then it changes to a closed proprietary system where everything is licensed and controlled by the gatekeeper or in this case, the content copyright holder. It essentially becomes an end to end monopoly where one entity maintains full control over not only the content but the means by which that content can be rendered. If you don't like the sound quality of any particular level of content rendering - whether it's their top line "family jewels" version offering or the cheap "mp3" version, you're stuck with whatever the copyright holder gives you. In other words, the sound quality limitations are controlled by the content copyright holder from end to end. Independent third parties have absolutely no say in the matter of improving the ability of the rendering hardware to provide a more ideal fidelity version or to effectively manipulate the data stream to achieve certain ancillary goals such as room EQ. correction. A closed, (non open source) content delivery system can bring with it a complete shift in the music reproduction industry that can dramatically alter technological progress in the marketplace.

I am not worried about MQA, or technological progress being altered or anyone losing anything in terms of music quality. I did worry or at least wonder around the years after 2000 how record companies and recording artists would continue to make money when Napster, Gnutella, Freenet, Kazaa, Limewire and other free music sharing music online companies were allowing artists music to be shared and CD sales, along with other music sales (such as albums) were declining year by year. Now I am seeing album sales going up, streaming companies and download companies along with recording and major recording companies and labels making money again, and most importantly musical artists are making money. Tidal is one of the most generous companies as artists make about $0.0003 per play. That was info from 2017. Amazing, Napster had top payouts at $0.0167 to $0.0190 and Tidal was 2nd. I guess after Napster was sued from the major record labels and users could not steal music any longer, some balance was brought make into music making by artists and music enjoyment by consumers.
After all, we all survived the low quality MP3 and IPod scare that was supposed to kill all quality music. It did not.

" I am not worried about MQA, or technological progress being altered or anyone losing anything in terms of music quality. I did worry or at least wonder around the years after 2000 how record companies and recording artists would continue to make money when Napster, Gnutella, Freenet, Kazaa, Limewire and other free music sharing music online companies were allowing artists music to be shared and CD sales, along with other music sales (such as albums) were declining year by year. " - 2psyop

Glad there is record label representation here on Audiogon - the poor, poor record companies and various "starving artists" that were so badly hurt by the likes of Napster need a spokeperson like you to help them make payments on their Maybachs and mansions....(massive eyeroll)

A much brighter future for both technology and the "starving artists" is possible when artists bypass the useless parasites that make up the "record label" consortium. With streaming, there is no huge manufacturing overhead required to manufacture/distribute physical media. Any mom/pop shop can stream media online. You don't have to be a Warner Brothers or Sony with hundreds of "executive vice presidents" sitting on their duffs attending meetings about scheduling marketing meetings.
Open source digital audio technology doesn't have to give way to big player monopolies with never ending licensing fees and absolute control over distribution  that stifles technological progress and innovation. Artists in the future can and hopefully will have more control in direct marketing/streaming their creative product to the masses using canned "off the shelf" technology to assist them in managing content distribution/security. In the past 10 years, we've started to see a building trend. Practically every serious group or artist - new or old, has a website and does some amount of direct marketing.
 The old model using big record labels with their leagues of fat cat lawyers and overpaid "management" is no longer necessary and hopefully will go extinct sooner than later. There are plenty of small independent top quality tech saavy recording studios these days that help produce excellent content catering to a variety of talent from rookies to well known veterans. Artists don't need the big fat cats to prosper. In fact, there's plenty of evidence to suggest that they and every other aspect of the music industry will do just fine without the blood sucking monopoly players. Hopefully, there will come a time when the general consensus among artists is that they'd rather have more control over their own creative identity and destiny than continue to rely on a select group of "star makers" who determine who gets promoted and who doesn't. There is so much that is wrong with the old model. But thanks for speaking up for the poor media distribution companies. God knows they need spokespeople like you looking out for them.