Ugraditus is calling....again. Phono stage?


There is likely nothing wrong at all with present phono stage but you know how it is.

Present analog front end consists of.

Nottingham Analog Spacedeck with Spacearm.
Shelter 501 mk3 cartridge with maybe 250 hours on it, regularly treated with Lyra.
Dynavector P75 mk3 phono stage.
Feeds into Lyngdorf 2170 via Nordost Red Dawn RCA cables.

My thoughts were that possibly the Dynavector is the weakest link and would pay most dividend on an upgrade but.....

What do I perceive I am lacking right now?
Really hard to say as this is highest quality analog front end ever owned.
Possibly lacking a little in sheer scale and dynamics? Bass is very very good, instruments are well separated and defined.
Just as an overall presentation I feel it lacks that final wow factor as a whole.
Not sure if that makes any sense?
Please comment honestly especially if you feel it is another area that may reap larger benefits. Or if should just leave well alone....lol.

Oh btw I am fairly sure it is setup correctly in regards to vta etc, at least to the best of my abilities right now. And yes setting it up correctly from initial purchase did make considerable gains in sq.
128x128uberwaltz
Post removed 
Yes it is
However Al did think it might do ok into the balanced inputs on my amp and there was supporting evidence from an actual user ( robelvick) that this combo does indeed work very well.
Isn’t the Gold Note output impedance very similar to the Herron’s?
First, as I mentioned earlier, while the manual for the Gold Note states 500 ohms, two other references provided at its website indicate 50 ohms.

But in any event, and assuming the Gold Note is purchased without the optional tube-based output stage, even if its nominal output impedance is 500 ohms it probably doesn’t vary greatly from that value over the frequency range, given that it is a solid state design. But like most tube-based phono stages and preamps the Herron almost certainly uses a coupling capacitor at its output, which most likely causes its output impedance to rise to considerably higher values at deep bass frequencies than the nominal value that is spec’d (which in turn is most likely based on a mid-range frequency such as 1 kHz).

I’ll say also that I’m not at all surprised at the sincerity and excellence of the response Keith provided. As I know many others here would agree, one couldn’t hope to find an audio designer/manufacturer more wonderful to deal with.

Best regards,
-- Al

Al
It is possible then that the impedance of the Gold Note could be just 50 and not 500ohms.
Either way it could work and as Robelvick has same setup and reports a good match .

Trying to get in home trial on either this or the Chinook.....
While trying to decide which way to go on the phono stage I decided to experiment with my present Dynavector P75.
Thought I would give its PE setting a trial, (phono enhancer).
As my cartridge is not really low mc at 0.4mv and a 14ohm resistance which puts it right in the middle of the PE settings I thought it was worth a try.

Well almost as good as a new phono stage as it has definitely ratcheted up the dynamics, certainly on piano and female vocals.

Good enough to tide me over until I decide which way to go.