Recent retip(canti also) Dude where did my soundstage width go


I'm trying to not get worked up because it's a huge trade off. I've put 10hours on it so far. Crisper and more detailed. There's some bass on a couple jazz records that I know and that I very thrilled about. But, everything is bunched up between speakers comparably. In anybody's experience will my Grado Reference1 open back up.  I've not done this before and I'm kinda thinking this is the side of my "new" cart that I'm gonna have to learn to live with. I was warned by plenty of researching that it would change and be a different cart but in my optimism I didn't realize a better (boron cantilever/micro ridge stylus) replacing a previously considered lower quality cantilever/stylus would turn out to be disappointing. Thanks

128x128fourwnds
@fourwnds 

I prefer Stahlwille tools - what's good enough for Mercedes ... I bought mine direct from Germany, TBS-Aachen tools, just about affordable, considering what's at stake (that is, getting $500 performance from a pricey cartridge).
Terry9, I am not lubing my nuts, no matter how it might benefit the sound.
@terry9  - Lubing the nuts will reduce chaffing, but I am not sure it will make anything sound better.  Well, courderoys, perhaps.
fourwinds, with regard to your question of 04/06, I am not clear what you actually did.  I had suggested aligning the cartridge for zero azimuth by eye only, ignoring the Foz reading.  You could use a mirror or whatever sort of aid might help in that.  Some people put a small bubble type level on top of the headshell when adjusting for zero azimuth or is it 90 degrees of azimuth?  I hope you know what I mean, top of headshell parallel to the LP surface when viewed from the front.  (My computer changed to italics for no apparent reason here.)

As to whether the Foz is reading cartridge output per channel or crosstalk, I have no idea, since I have never even seen a Foz.  As Terry wrote, there are two schools of thought regarding crosstalk/azimuth.  Some recommend adjusting for equal crosstalk, which means that the amount of R channel signal appearing in the L channel would be the same as the amount of L channel signal appearing in the R channel (measured in negative dB).  Others recommend just minimizing crosstalk.  When you do the latter as a goal, the amount of crosstalk will usually NOT be equal in one channel vs the other.  I don't think there is any right or wrong in that regard.

So, have you set azimuth to 0 or 90 (whatever) without any regard for the Foz, and what did that do to your soundstage width?