The new Synergistic Research BLUE fuses ....


New SR BLUE fuse thread ...

I’ve replaced all 5 of the SR BLACK fuses in my system with the new SR BLUE fuses. Cold, out of the box, the BLUE fuses stomped the fully broken-in SR BLACKS in a big way. As good as the SR BLACK fuses were/are, especially in comparison with the SR RED fuses, SR has found another break-through in fuses.

1. Musicality ... The system is totally seamless at this point. Its as if there is no system in the room, only a wall to wall, front to back and floor to ceiling music presentation with true to life tonality from the various instruments.

2. Extension ... I’ve seemed to gain about an octave in low bass response. This has the effect of putting more meat on the bones of the instruments. Highs are very extended, breathing new life into my magic percussion recordings. Vibes, chimes, bells, and triangles positioned in the rear of the orchestra all have improved. I’ve experienced no roll-off of the highs what so ever with the new BLUE fuses. Just a more relaxed natural presentation.

3. Dynamics ... This is a huge improvement over the BLACK fuses. Piano and vibes fans ... this is fantastic.

I have a Japanese audiophile CD of Flamenco music ... the foot stomps on the stage, the hand clapping and the castanets are present like never before. Want to hear natural sounding castanets? Get the BLUE fuses.

4. Mid range ... Ha! Put on your favorite Ben Webster album ... and a pair of adult diapers. Play Chris Connor singing "All About Ronnie," its to die for.

Quick .... someone here HAS to buy this double album. Its a bargain at this price. Audiophile sound, excellent performance by the one and only Chris Connor. Yes, its mono ... but so what? Its so good you won’t miss the stereo effects. If you’re the lucky person who scores this album, please post your results here.

http://www.ebay.com/itm/ULTRASONIC-CLEAN-The-Finest-Of-CHRIS-CONNOR-Bethlehem-Jazz-1975-NM-UNPLAYED-...

Overall impressions:

Where the RED fuses took about 20 hours to sound their best, and the BLACK fuses took upwards of 200 hours of total break-in, the BLUE fuses sounded really good right out of the box ... and that’s without doing anything about proper directional positioning. Not that the BLUE fuses don’t need breaking in, they do. The improvement continues through week three. Its a gradual break-in thing where each listening session is better than the last.

Everything I described above continues to break new ground in my system as the fuses continue breaking in. Quite honestly, I find it difficult to tear myself away from the system in order to get things done. Its truly been transformed into a magical music machine. With the expenditure of $150.00 and a 30 day return policy there’s really nothing to lose. In my system, its like upgrading to a better pre amp, amp, CD player or phono stage. Highly recommended.

Kudos to Ted Denney and the entire staff at SR. Amazing stuff, guys. :-)

Frank

PS: If you try the SR BLUE fuses, please post your results here. Seems the naysayers, the Debbie Downers and Negative Nellie’s have hijacked the original RED fuse thread. A pox on their houses and their Pioneer receivers.

Frank



128x128oregonpapa

 
prof
"
You clearly have no idea what you are talking about. It’s one thing to lazily toss around the term "religion" as a slag, it’s another to actually produce an argument that what folks like me propose is akin to religion. "

It IS religion and it is odd that you don't see it that is a reflection of your deeply held and cherished faith that you have acquired nourished and cultivated for so long that it becomes part of your lifestyle just as it is for those who's religion is based on something more traditional but there is no difference.

nonoise
"
What  a load of hooey. Your word smithing is admirable as is you sophistry but stringing together some choice words and presenting them in such a manner so as to suppose a higher ground of sorts is just hubris,

It is not hubris really it is faith and actually it is something to be tolerated respected and even welcomed but it is important to recognize it for what it is it is NOT science or hubris but FAITH in the unknown unseen and un-understood. Man has sought answers from the beginning of time - why is the sky blue, for example? Before science could answer that we had religion and now some use religion to understand some of the lesser known mechanisms that involve our Music Reproduction Systems.
Oh, geez, looks like it’s time to put on the old hip waders. It sure is gettin’ deep in here. 💩
nonoise,

sure it does---a flat out denial without true benefit of debunking amounts to just another load of hooey


Strawman.

Nowhere have I voiced any flat out denial. In fact I wrote:

"I’m not declaring fuses can’t make an audible difference. Only that the type of evidence for this claim is far too wanting to compel me to spend time or money on it. "



As for your music server, how long did you listen to it before deciding it sounded the same as your previous one?


I think about a week.

Listening over the long haul is the only way to correctly ascertain it.


That’s a very common claim. But it doesn’t actually hold up to scrutiny. Especially to the degree it is used to dismiss blind testing.

I work in post production sound. I am recording and altering sound all day long (Pro Tools). Often minute changes in EQ, loudness, pitch, etc.Especially if we are talking subtle differences in a sound, being able to direct ly compare them, switch back and forth, is MUCH more efficacious in aiding the perception of these difference than extending the time between the changes.

Let me ask you: If I took a sound - a voice or whatever - made two versions, and increased the second version’s volume by 2db, or increased via EQ some part of the frequency by 2dB, in which scenario do you think it more likely you’d be able to detect the difference:

1. Being able to switch back and forth between both sounds as you require, right now.

or:

2. Listening to one sound, and coming back a week later to hear the other one?

In other words...just how good to you actually think your acoustic memory is?

In blind testing you set it up so you can switch as quickly as you like between two sources to spot a difference. The idea that extending the time frame of reference is necessary, and that weeks or a month later you can be listening to your new tweak or source or whatever and say "Ah, I can hear the difference between this and when I had the other unit in a month ago!" is....well...it’s not very reasonable, especially in terms of what we know about acoustic memory. (It’s not that you *couldn’t possibly* hear a sonic difference over such time - if it’s big enough that’s possible. But to think that it is MORE conducive to detecting subtle sonic differences is another matter entirely).

Again, I manipulate sound all day long. If hearing subtle sonic differences when a sound file is altered actually required weeks of "getting acquainted" with the sound of that file, we sound designers couldn’t even do our job! But audiophiles like to make up whatever principles they need to cling on to not testing their beliefs.

another purposely misleading statement that requires one to accept that all other implausible tweaks are done by the same people for the same reason

Nope. I said all the other implausible audiophile tweaks, by which I refer to those for which dubious and highly disputed (by people in the relevant fields) claims are made. So there is an initial reason for skepticism...and then the rest of the support for the tweak comes from sighted tests.
I don’t care about the reasons any of these are done; so long as a tweak has those characteristics, my skepticism is warranted.

Have you read/seen this article: Scientific Proof Is A Myth?

Yes. I’ve been interested in the philosophy of science for a long time and
any scientist can tell you science doesn’t deal in "proofs" strictly speaking. Which is why you never saw any such claim from me.

Cheers.



@clearthink,

Another assertion of the same claim without an argument.

How could I have predicted that? ;-)