Ortofon Red/Pro-ject Carbon Debut combination; rolled off hi-frequencies. Solutions?


Hi there.

I just bought a Project Carbon Debut SB with a factory equipped Ortofon Red. After 30 hours break-in the mids are fine (smooth, rich and full), bass is a little fat but tolerable but the highs, as I expected were rolled off; but more than I expected and not acceptable to me. Obviously, there will be compromises in a "bargain" turntable but mechanically and sonically I think it's good basic platform to start with.
 
The TT is playing back through the inboard phono stage of my Musical Fidelity A3.2 integrated. I've swapped interconnects, starting with Audioquest Diamondback (nice mids, darker top end) and Wireworld Equinox 6's (brighter top but not much inprovement in air, and surprisingly a bit grainy and obscure in the mids).

I'm thinking my 1st step is upgrading the cartridge to either the Ortofon Blue, Shelter 201 of the new Audio Technica VM540ML; the replacement for the old AT400ML which was a bit too bright but otherwise highly musical and faithful in reproduction (I had one in my Music Hall MMF5.1) but there aren't any reviews of it to be found on the web or in hi-fi mags.

I am on a budget and before I start throwing hundreds of bucks around and burning months of experimentation on swapping out cables, outboard phono stages and cartridges I thought I'd throw this subject open to discussion to my brothers of the cloth who have the same high fidelity point of view as I.

Any recommendations or opinions are welcome. 


morbius2130aol
FOLLOW UP TO MY ORIGINAL POST of 1/26/18...

Hi there again.

After careful consideration of all your valued inputs I checked all the mechanical aspects of 'table and tonearm setup and bought a very slightly used Sumiko Blue Point #2, install and calibrated it, spun a couple dozen vinyl sides and noticed the following.

The Sumiko is dramatically smoother throughout the frequencies. The bloated bass of the Ortofon was gone, replaced by a much better defined and articulate bottom end that is rich in tone and timber. The hi-freq's opened up, and the missing air and spacial information became much more obvious. The midrange and voices are no longer highly prominent and are much more consistent with the entire musical spectrum. The musical presentation is better defined and voices are more natural and far less forceful. The image is deeper and instrument location is better defined.

While the Sumiko is not quite as dynamic and dramatic as the Ortofon but it is superior in it's obvious neutrality and overall fidelity. If I had to use a word to sum up, it is "graceful" by comparison.

For a hundred bucks, the Ortofon Red is a great value in it's price range. However, the Blue Point simply blows it away it with it's musicality. It's like comparing a pick-up truck to a Porsche.

Thanks again for all your input.
morbius
Post removed 
As someone who has sold a thousand carts and owned a hundred I agree
that old school was better . Best quality I’ve seen in present stuff is Nagoka and Goldring . Looking at later looks like Nagoka to me .

Just where do you buy these 881’s, and the ones I really loved, the Pickering 3000 and the Empire RD9 ?
Does any Grado fan have an opinion whether their present stuff is worse
than their old school ?