I owned an original 535 ( as well as other Adcom models ), and purchased a series 2, which had many upgrades ( circuitry ), including better rca inputs, speaker binding posts ( and eliminating the speaker switching ), and to my knowledge, heavily biased to class a for the 1st several watts. I still have the series 2 in my amp collection. Working within its limitations, it is a very good amplifier, slightly dry, but very accurate, and has always run hot. 

Funny, the two amps Corey mentions at the end (Electron Kinetics Eagle 2A and PS Audio 200C) I own. The 555’s are notorious for having their power supply filter capacitors go bad (be careful about hooking one up to a pair of speakers you love), which I had happen; I don’t know if the same is true of the 535 (or 545). Anthony Cordesman (as usual attempting to get a "scoop") grossly over-rated the original 555 (dry, grainy, coarse. Okay for a sub perhaps, though not as good for that as the Eagle 2A), and was quickly put in his place by JGH and Larry Archibald.

The Eagle 2A and PS Audio 200C can be had for about the same price as a 555; both are better amplifiers.

I had a 555 ii and never warmed up to it.  At higher volumes, it got thin and etched sounding.  I replaced it with a Classe 10 amp.
For the price it is probably a very good deal.  His comment that "The B&K amplifiers, as I have often said, sound tube like" makes me think that he have never heard tubes before and I take that as a poor description.  IMO SS that sounds like tubes means that they sound more dark, and soft sounding unless it is First Sound.

Happy Listening.


Some great amps are being mentioned on this thread. I still pick up some of these to tune with.

On the B&K ST140, if you were lucky enough to get Steve’s design of the amp (first 6 months of production) you will see why people said it was one of the best amps for tube sound of it’s time. And the other major plus was how well it mated with the excellent sounding preamps of the day. Stan Warren also did a nice job with his 220. The list of amps during that time I would say were among the very best HEA ever offered at any price. Names are floating through my mind by the scores.

On the 535, I think most here have nailed it’s performance. I think this is the best product Adcom ever produced. The 555 never made a dent for me, but when listening with AC I understood where he was going from his point of view at the time. Some times you have to be listening with the guy themselves to have them explain where they were going, and what they were looking for.

One amp that totally went under the radar, that I stumbled across as I needed something fast to plug in then totally fell in love with was the Marantz MA700 mono block. I’ve probably own 50 of these for myself and sold another 100 (maybe more) sets to folks. An absolutely killer mono block to tune. I think I used this amp in 3 or 4 shows. I also hooked up 5 or 6 studios with these.

As far as I am concerned this thread should live on forever so folks can learn about the golden age of HEA.

Michael Green

www.michaelgreenaudio.net