@mofojo
I’ve had the M100 only a few days, but I was able to do some A/B testing with the Lyngdorf.
The M100 is a class A/B amp, with no digital conversion on it’s analog inputs, and a traditional DAC built in. Different beasts altogether.
The M100 does have a room correction software called M.A.R.S. but that’s on order from the manufacturer , so I can’t do any comparison with that and Room Perfect since my 2170 just sold.
I can tell you that I do not miss the 2170 whatsoever. In my room, with my speakers, I easily prefer the M100. More grip, more life, soul...whatever you want to call it. That’s just what I hear though. YMMV.
The three pairs I tested w/ both amps - Salk Sound: Songbirds, Tyler Acoustics: Linbrook, and Scansonic: MB-2.5. Maybe those three don’t pair as well with the Lyngdorf as they do with the Micromega.
Curious if anyone else has heard both amps?
I’ve had the M100 only a few days, but I was able to do some A/B testing with the Lyngdorf.
The M100 is a class A/B amp, with no digital conversion on it’s analog inputs, and a traditional DAC built in. Different beasts altogether.
The M100 does have a room correction software called M.A.R.S. but that’s on order from the manufacturer , so I can’t do any comparison with that and Room Perfect since my 2170 just sold.
I can tell you that I do not miss the 2170 whatsoever. In my room, with my speakers, I easily prefer the M100. More grip, more life, soul...whatever you want to call it. That’s just what I hear though. YMMV.
The three pairs I tested w/ both amps - Salk Sound: Songbirds, Tyler Acoustics: Linbrook, and Scansonic: MB-2.5. Maybe those three don’t pair as well with the Lyngdorf as they do with the Micromega.
Curious if anyone else has heard both amps?