@rauliruegas
Thanks, maybe i'll try it.
At my home listening sessions i'm 90% with LPs as you lazy guys, so i can relax and listen to the full side of LP. But when i'm playin out or abroad i'm with my vintage original 45s (from the 60s and 70s).
I'm curious about those professional japanese tonearms, some of them are very expensive and very rare. In theory i'd like to know for sure why did they used special alignments. I can't believe they were "stupid", because Baerwald alignment is very old and very well known even in japan. I'm trying to understand the special needs those pro manufacturers served for the consumers (broadcast studios etc) at that time. Hope we will find the truth.
Better than that please do it a favor and due that you listen mainly to 7" size recordings then take this alignment parameters for your 64FX tonearm that will give you the lower tracking error with the lower distortion levels for a 7" recordings :
P2S: 238.55mm ; offset angle: 15.294° ; overhang: 8.45mm
the alignment is Löfgren A ( Stevenson gives no single advantage even with this special alignment. ) dedicated for that size recording and only as an example the tmaximum racking error goes down from: 1.9°-2.1° to only 0.36° that's outstanding and then way lower tracking distortion levels.
Thanks, maybe i'll try it.
At my home listening sessions i'm 90% with LPs as you lazy guys, so i can relax and listen to the full side of LP. But when i'm playin out or abroad i'm with my vintage original 45s (from the 60s and 70s).
I'm curious about those professional japanese tonearms, some of them are very expensive and very rare. In theory i'd like to know for sure why did they used special alignments. I can't believe they were "stupid", because Baerwald alignment is very old and very well known even in japan. I'm trying to understand the special needs those pro manufacturers served for the consumers (broadcast studios etc) at that time. Hope we will find the truth.