Hi glupson and Guys
Thanks for the post. Btw the folks that are wanting to argue on this thread or any other have a different agenda than the OP. With that, we can skip over those posts and move on, try to come to an understanding, jump in and ask them to stop or wait till they give us space to discuss the OP. Anyone’s guess is as good as anyone else’s to know how to deal with trolling. Every time I get trolled on here, I thank my lucky stars I have TuneLand.
There’s a huge importance to exploring and not just taking guesses about music, audio, recording and playback. I can bring up literally tons of topics to use as a discussion tool, and with those based on the answers or comments made you can tell whether a person has done something or not. Keep in mind that everyone on the planet has their own taste, so there is no right or wrong way to listen, but that doesn’t mean that there isn’t more to be heard. It only means we have chosen to go to a certain level of listening. How do you know?
Recordings have a real space and real size to them. For example, lets say we setup a microphone in the isle of the concert hall while recording so we can add the hall sound to the close up and direct mics. In my case I usually did the direct miking, an over head miking, a mid hall miking and a couple of mics way in the back. Sometimes I would do 3 halos and other times 4, very common no brains miking. During the mix I can then choose how much depth and girth I wanted to give to the piece. If you’ve "done" this a few hundred times you instinctively learn how the halos were shaped by other engineers. Now the recording console, pre effect, doesn’t know anything but a 360 view of what is going on. That’s why when you are listening to headphones the sound is all around you when wearing non-directional cans. Now your going to notice something with these cans (unless they’ve been tweaked a certain way). There are no blacks holes in the soundstage. The sound covers the entire stage 360, that’s what a recording is. When we start using stereo in a room with the speakers in front of us instead of directly at the ear on either side we create that frontal image. It is the recording, but it is the recording reacting to the room and speakers. In other words, you are actually hearing the pressure in the room being stimulated by the speakers and not the speakers themselves (their just the origin). When you hear folks say "there is a black space between the instruments" that’s not what the recording is doing, that’s what the system is doing to the recording. The system is not connecting the dots, it’s not giving you the whole recording, it’s giving you parts and pieces. If the speakers and system is working with the room there is an easy way to tell. Any recording you put on will do this if you are hearing the recording itself. Put on a recording, hit play, and you will instantly hear and feel pressure behind you as if you were outside walking into a room and feeling the rooms pressure all around you. If you only see the stage in front of you and don’t sense the recording pressure around you (it has a sound too), your not playing the whole recording, or even close.
Any of you guys, put on a recording you like where you can feel the sound all around you as if the speakers weren’t even there. Now play what you think is a sub par recording. First thing you will notice is the "so so" recording is not giving you that presence. It’s not the recording. All recordings have that 360 element to them. There’s no way to remove it. Even a very compressed recording will still give you that 360 effect. As has been mentioned earlier some folks can play that music in the car and it sounds acceptable, and put it on their home system and not as good. Folks, it’s not the recording. Recordings don’t dumb themselves down to play in a car or headphones and not in your home. It’s also not that your system is more "revealing". The fact is if your car can play it and your headphones can play it, your home stereo should be able to play it. If your in room system is more revealing than your car and your headphones you will hear more not less.
That’s going to make some of you mad and for some even go into denial, but that’s reality.
Michael Green
www.michaelgreenaudio.net
PS: don’t shoot me I’m only telling you guys the reality, ok