Talk but not walk?


Hi Guys

This isn't meant to start a fight, but it is important to on lookers. As a qualifier, I have my own audio forum where we report on audio issues as we empirically test them. It helps us short cut on theories and developing methods of listening. We have a wide range of systems and they are all over the world adding their experiences to the mix. Some are engineers, some are artist and others are audiophiles both new and old. One question I am almost always asked while I am visiting other forums, from some of my members and also members of the forum I am visiting is, why do so many HEA hobbyist talk theory without any, or very limited, empirical testing or experience?

I have been around empirical testing labs since I was a kid, and one thing that is certain is, you can always tell if someone is talking without walking. Right now on this forum there are easily 20 threads going on where folks are talking theory and there is absolutely no doubt to any of us who have actually done the testing needed, that the guy talking has never done the actual empirical testing themselves. I've seen this happen with HEA reviewers and designers and a ton of hobbyist. My question is this, why?

You would think that this hobby would be about listening and experience, so why are there so many myths created and why, in this hobby in particular, do people claim they know something without ever experimenting or being part of a team of empirical science folks. It's not that hard to setup a real empirical testing ground, so why don't we see this happen?

I'm not asking for peoples credentials, and I'm not asking to be trolled, I'm simply asking why talk and not walk? In many ways HEA is on pause while the rest of audio innovation is moving forward. I'm also not asking you guys to defend HEA, we've all heard it been there done it. What I'm asking is a very simple question in a hobby that is suppose to be based on "doing", why fake it?

thanks, be polite

Michael Green

www.michaelgreenaudio.net


128x128michaelgreenaudio
Uber so that brings up the next logical question:

If Captain Kirk and Mr. Spock both offered you to hear their systems, which would you expect to sound better? I’d probably end up choosing Captain Picard’s. But I would probably first want to hear Spock’s just to have technical perfection as a reference point at least. To the best of my knowledge Kirk has no interest in music unless some green alien space babe is playing it so that could well be a total mess.
Mapman

I am sure Kirks choice would be illogical.

I would have to go for Geordi choice pre funky vision enhancers. Surely he would have the best as only blind tests to compare with.
An audiophile who has himself for a guru has a fool for a client. - Old audio axiom

Hi bdp24

Thanks for jumping in. What setup do you have? We have several drum kits at the shop. Maybe some time you can hook up with one of the musicians here and talk tuning vs tension in real time.

One thing cool about my stereo stores is that we had studios setup at the locations so local musicians and recording artist could hang out with us. nothing like having discussions while actually doing what you are talking about.

One thing though just as a point of reference. When I was on tour I never had a musician or road tech tell me to "tension" up the drum kit. They told me to "tune" up the kit. Also the same was true when working with orchestras and drum lines. So, I know your trying to make a point but maybe you should take that up with drummers! My instrument is African drums btw so the tuning on them is a stretching and curing process.

thanks for you view point, I'll actually be meeting with some folks this weekend and will ask them about the terms they use and get back to you if you would like

Michael Green

www.michaelgreenaudio.net

Hi Geoff

"Michael, The “fundamental forces” and the interaction of the Earth’s forces sound like interesting topics. Can you expound on what you mean? What are we talking about here?"

Yep, I think this deserves it's own thread. I also think this is an area of audio in which you shine.

here's the wiki

"Fundamental interactions, also known as fundamental forces, are the interactions in physical systems that do not appear to be reducible to more basic interactions. There are four conventionally accepted fundamental interactions—gravitational, electromagnetic, strong nuclear, and weak nuclear. Each one is understood as the dynamics of a field."

Michael Green

www.michaelgreenaudio.net