Talk but not walk?


Hi Guys

This isn't meant to start a fight, but it is important to on lookers. As a qualifier, I have my own audio forum where we report on audio issues as we empirically test them. It helps us short cut on theories and developing methods of listening. We have a wide range of systems and they are all over the world adding their experiences to the mix. Some are engineers, some are artist and others are audiophiles both new and old. One question I am almost always asked while I am visiting other forums, from some of my members and also members of the forum I am visiting is, why do so many HEA hobbyist talk theory without any, or very limited, empirical testing or experience?

I have been around empirical testing labs since I was a kid, and one thing that is certain is, you can always tell if someone is talking without walking. Right now on this forum there are easily 20 threads going on where folks are talking theory and there is absolutely no doubt to any of us who have actually done the testing needed, that the guy talking has never done the actual empirical testing themselves. I've seen this happen with HEA reviewers and designers and a ton of hobbyist. My question is this, why?

You would think that this hobby would be about listening and experience, so why are there so many myths created and why, in this hobby in particular, do people claim they know something without ever experimenting or being part of a team of empirical science folks. It's not that hard to setup a real empirical testing ground, so why don't we see this happen?

I'm not asking for peoples credentials, and I'm not asking to be trolled, I'm simply asking why talk and not walk? In many ways HEA is on pause while the rest of audio innovation is moving forward. I'm also not asking you guys to defend HEA, we've all heard it been there done it. What I'm asking is a very simple question in a hobby that is suppose to be based on "doing", why fake it?

thanks, be polite

Michael Green

www.michaelgreenaudio.net


michaelgreenaudio
Give Geoff a break. He is on a mission to get to 10,000 Audiogon Forum posts by the end of August....and even posts that are hard to decipher count,

Pffftttt, pffftttt !!

Hi jpsreno

Thanks for visiting the thread! Your comments are right on target with the OP. I started this thread so people can talk about "doing" audio and music. On Agon there are all of us who love music and look at it from unique points of view based on our experiences, and that's where I wanted to see this thread go. For myself it kind of drifted over into the thread I'm doing on the method of tuning, but I'm glad to see it staying somewhat on point. When listeners see other listeners' experiences it builds the community (family).

I for one enjoy hearing the experiences of others, from Geoff's low mass Walkman to Tj's all out tunable room. Also we should enjoy input from the musicians. It's all good, if we keep it all good.

Michael Green

www.michaelgreenaudio.net 

Update on my low mass Sony Walkman CD player. I’m now using “modded” Grado SR-60 headphones, which are stripped of their god awful sounding foam pads. The Walkman itself is isolated on a one off version of my Woody the Woodpecker isolation stand, which simulates the physical characteristics of a woodpecker’s head and tissue surrounding the brain, all of which is carefully constructed to prevent injury to the woodpecker’s brain when subjected to high frequency high negative g forces whilst pecking wood. The isolation stand incorporates springs, a glass bowl filled with glass micro beads, a large number of glass crystal weights that provide high mass for the springs and such niceties as Moingo disc and a bunch of the NASA grade ceramic cones from Golden Sound that act as node dampers, exit points. There are some other things I can’t really discuss as they draw too much heat. Maybe later. 

Michael, I know that your intent is virtuous.  But some recordings simply ARE better-sounding than others.  It's true that a well-tuned system will present MORE recordings well, but never ALL of them. And tuning a system to optimize a poor recording will very likely compromise its presentation of better ones... and that's simply crazy.  OTOH, if you tune your system to optimize the very best recordings, many of the poorer ones will sound better.  Yes, a more revealing presentation may reveal flaws as well.  But do you want to tune to mask those flaws.  What else may you be masking?

BTW, a poor recording is one that doesn't sound as well as others on my system, your system, and most every system we play it on.