geoffkait:
Overly compressed masterings have, truly, become the bane of audiophile's enjoyment. The new Old Crow Medicine Show album is a classic case of the CD sounding just like MP3 because all is compressed way too close to 0 DB. Cannot listen to it for any length of time.
Studios are under pressure from labels to make all WAY TOO LOUD because they believe it makes the sound preferable/saleable over less loud/compressed masterings. This might be affected by lower quality listening equipment where volume is confused with quality.
Higher quality orchestral recordings (now becoming dinosaurs) have a transparency that makes all sound LESS LOUD. The timbral accuracy and soundstage definition pay off big dividends in return.
And, for a pop example of great mastering, listen to the self-titled Natalie Merchant album that is crystal clear and beautifully dynamic. Sarah Jarosz's offerings are also well done in this regard.
Overly compressed masterings have, truly, become the bane of audiophile's enjoyment. The new Old Crow Medicine Show album is a classic case of the CD sounding just like MP3 because all is compressed way too close to 0 DB. Cannot listen to it for any length of time.
Studios are under pressure from labels to make all WAY TOO LOUD because they believe it makes the sound preferable/saleable over less loud/compressed masterings. This might be affected by lower quality listening equipment where volume is confused with quality.
Higher quality orchestral recordings (now becoming dinosaurs) have a transparency that makes all sound LESS LOUD. The timbral accuracy and soundstage definition pay off big dividends in return.
And, for a pop example of great mastering, listen to the self-titled Natalie Merchant album that is crystal clear and beautifully dynamic. Sarah Jarosz's offerings are also well done in this regard.