Thiel Owners


Guys-

I just scored a sweet pair of CS 2.4SE loudspeakers. Anyone else currently or previously owned this model?
Owners of the CS 2.4 or CS 2.7 are free to chime in as well. Thiel are excellent w/ both tubed or solid-state gear!

Keep me posted & Happy Listening!
128x128jafant
Hi guys, 
I'm from Italy and newbie here, happy to join to this vaste Thiel's enthusiast community.
I just bought my first pair of Thiel loudspeakers , the wonderful cs3.6, found them  very well maintained after all these years. These artworks are currently driven by a McCormack TLC-1 pre amp and the amazing McCormack DNA-2 Deluxe (bought a week later than Thiels), what to say.....I feel absolute happiness, still to early to give an appropriate and deep review but for sure I'm getting the best sound since ever.
To me nowadays is very hard to find better sounding loudspeakers system even compared to the same original retail price, sad to know how the Thiel's story ended, Jim will remain in our hearts forever, for sure, simply a genius with our same  passion: music at its best!
Let me spend also some words of admiration to Steve McCormack having made and still doing such a pieces of electronics.
I'll never sell both Thiel and McCormack components, for sure.

Greetings from Italy,
Silvano
Welcome! silvanikI concur in that Thiel and McCormack are sonic matches. It seems that the CS 3.6 model is gaining momentum on the 3.5 owners. Glad you found us.I look forward in reading more about your system, musical tastes Silvano.Thank You / Grazie.
Happy Listening!
First for prof, I wasted a perfectly good day reviewing your thread involving your speaker journey. Fantastic, and I greatly admire your ability to discern and articulate what you hear. Wonder if you could do the same for some of the Thiel speakers, in particular comparing the 3.5, 3.6 and 3.7 in this thread. I believe that you may be able to clarify what the differences are and help me justify keeping my speakers or upgrade. Tried to create a playlist on Tidal with some of your reference material, but need to trim it down a little. Helped me better appreciate what you were pointing out.
I did some testing with Room Equalizer Wizard and the Thiel and DBX equalizers. Only just scratched the surface, not really understanding all the variables at play. Made my meaurements from the listening position and not in close proximity to the speakers, so room factors were present, although constant for all measurements. Used pink noise track as source and did RTA checks on different settings. Discovered that the Thiel equalizer is not working properly in the 20 HZ setting, even though Rob fixed it last year. It may be the switch as the next day I was able to determine that the 40 HZ setting had less bass in comparison. The more I read, the more complex it all is and an equalizer can only do a small contribution. The comparison with DBX did not reveal any clear improvement. The DBX has a balanced output (as well as unbalanced) and needed more gain to match the unbalanced output from the Thiel equalizer to sound equally loud on the bryston amp. Here were some conclusion that I hate to draw:Maybe it is the age of my speaker showing but they certainly were not able to reproduce anything within 3db from 20-20K. Below 40 HZ there was more than 10 db drop and likewise on the 14K side. Ignorance is bliss.

Thielrules, your 3.5 performance is not normal. Perhaps Rob might supply guidance.

As you might surmise, I have been looking closely at the classic models to determine where to best expend resources for upgrades. A sad truth is that the 3.5 is old. Those drivers were modified commercial units and are no longer available. The tweeters and midranges are not rebuildable, but I believe Rob can rebuild the woofers. The 3.5 dates from 1988, so early serial numbers are approaching end-of-service-life for the electrolytic caps in the EQ and XO. Those are replaceable.

After considerable deliberation I have decided to not develop an upgrade kit for the 3.5. There are too many disqualifying factors recommending against spending significant money there. However, Rob at Coherent Source Service can help you keep them in service in stock or enhanced stock form.



I've never heard the Thiel 3.5s (that I recall) but used to listen to the 3.6s here and there, though many years ago.  So you have to take any comparison I'd make with a big grain of salt.   That said, I also lived with the big Thiel CS6 speakers for a while too, so I have a pretty good bead on the Thiel house sound in general, I think,

Whenever I listened to the 3.6s "back in the day" my impression was always consistent: a sense of accuracy, in terms of tonality, soundstaging, imaging and a sense of life - great transient quality and an overall sense of control.  There was a real confidence, a sensation of "hearing the recording for what it is."

The slight knock on the 3.6s was, as many have said before, to my ears a teetering toward brightness and a tad bit of hardness.  Just a tiny bit of a "ruthless" quality.  Not as bad as that sounds, but just tipping a bit in that direction.

The other is a slightly "reductive" quality that I tended to hear in Thiel speakers.  The density of the imaging had the great result of palpability, but it seemed the Thiels could squeeze the sound just a bit too tight, with a signature that to my ear could seem to slightly remove the amount of body and heft of the sound of voices and instruments.  (The smaller woodwinds, for instance, could become fairly thin sounding).

The CS6 speakers I had, while sounding huge overall and full from the upper bass down, also had this slightly reductive quality.  Though I found them not bright at all, and not in to the ruthless territory so much.  They sounded gorgeous with my CJ tube amps.

The difference I find with the last flagship 3.7 (and to a degree the 2.7) is that I do not find any of this reductive quality.  Voices and instruments sound smooth, big, even and as lush as one could want.  If you have an acoustic guitar recorded up close it is BIG and full.  The sense of image sizing and soundstaging goes beyond any Thiel I had heard before.  And the tonal balance seems completely smooth - missing the slight hollowing sensation I could occasionally hear in previous Thiels.

And they have a more open and delicate way with fine detail.  
While giving you that aliveness, snap and image density and specificity that Thiel is known for.

So to my ears the 3.7s take the Thiel sound and simply refine it.  

As I've pointed out in my other, long speaker audition thread, despite listening to many of the best contenders now available, I did not find any that seemed to do it all as well as the 3.7s.