Talk but not walk?

"It is true, but it does not count at all. It is a willing, but captive, audience. It is the same team and they were, from what it seemed, "walkers" in this story. They are not going to complain, they have no reason. The ones that count are those who disagree. They may be grumpy, but they me be correct, too. Those two things are not mutually exclusive."

I disagree with this completely all day long. You see you didn’t mean to but you just did what you accuse the OP of doing. You were just prejudice toward the Tunees. You have no idea who the individual Tunees are, how long they have been Tunees or what made them go from the typical HEA over to tuning. You did however make a fair statement about the some of the gang who disagreed "they may be grumpy". Trust me they are grumpy!

Now back to the OP. The Tunees didn’t become Tunees because they were seduced by MG quite the opposite. The Tunees became Tunees because they "Walked". They tried tuning and it led them to a deeper meaning and understanding of the hobby of listening to music. You see glupson even you have a built in prejudice why? Because you assume instead of try. You see "talk and not walk"? You assume it’s a captive audience without ever doing what they do. You presume you know who Michael is based on the talk your reading instead of finding out by doing.

It’s all very simple and won’t ever change no matter who is doing the "talking" you me or anyone else. glupson your going to keep on being bias because you have no foundation past words. You will continue to recycle your words along with the rest who are talking. No matter how you try to understand there is only one way to get to understanding. You either talk or you walk. The only way you will ever know if you are walking is if you walk.

Hindu Love Gods

A part of rock history. HLG is one of those recordings that was done during the making of another recording "Sentimental Hygiene" (Warren Zevon). Hindu recorded these covers and never intended to release the songs but the session was so good it had to be. I had to look this up because this cd is killer and MG told me it was done with REM members. The soundstage sounds to be about 20’ x 20’ x 10’(H). The front to back goes about 3’ behind my head and there’s great side to side presence. The drums are bold and full of midrange with the cymbals splashing across the whole stage when they hit. The top end is very warm sounding and there are no holes in the stage anywhere from the beginning of this recording all the way till the end. Kick drum is perfect and together with the snare it gives off a punchy rib cage kick and also warmth. Nothing is coming from the speakers (an MG trait) and there’s that MG headphone feel to the sound. Michael loves his nearfield. I did want to mention something about the kick drum. Michael has it tuned in to almost sounding like a big floor tom. I need to go back and listen more because there’s some creative drum stuff going on later in the session where the bottom drops way down and shakes the whole room. Nice and beautiful and very deep. All the instruments are clear and in their own spaces and any pans are very obvious. An easy to follow soundstage. Garage sounding? I don’t know. It does have that in the room with you sound if that’s what you mean but I would say more of a small bar type of sound. It’s a recording one can rock to.