@brianlucey Specifically, I agree that SR appears to be a manufactured market manipulation designed to convince the consumer that there is "more and better" to be heard at higher SRs whether it be via HD Tracks or MQA. While it seems there is something different to possibly be heard, different is not necessarily "better" or worth more. It would be helpful if the consumer could know, before purchase, the SR used during recording/mastering of the original recording. I want to know what the musicians and recording/mastering engineers wanted the audience to hear when they listened to the recording. I'm not interested, at all, in what a record company wants to convince me of so they can sell me multiple versions of the same "recording." I always assumed, prior to being able to purchase HiRez formats, that the music was mastered to sound best via a particular medium. The mastering of an LP was done with the intention that it would sound its best in analog on a turntable. The mastering of a CD was done with the intention that it would sound its best at 44/16 through a CD transport. I find that, for the most part, well recorded/engineered RBCD sounds very good with a high quality DAC and the recording's overall SQ does not routinely improve in HiRez formats. In essence, HiRez becomes a crap shoot where the customer often is left paying more for something that sounds no better or sometimes worse than the RBCD the customer already owns or could easily obtain much cheaper in the used CD marketplace.
Regards
Al
Regards
Al