Talk but not walk?


Hi Guys

This isn't meant to start a fight, but it is important to on lookers. As a qualifier, I have my own audio forum where we report on audio issues as we empirically test them. It helps us short cut on theories and developing methods of listening. We have a wide range of systems and they are all over the world adding their experiences to the mix. Some are engineers, some are artist and others are audiophiles both new and old. One question I am almost always asked while I am visiting other forums, from some of my members and also members of the forum I am visiting is, why do so many HEA hobbyist talk theory without any, or very limited, empirical testing or experience?

I have been around empirical testing labs since I was a kid, and one thing that is certain is, you can always tell if someone is talking without walking. Right now on this forum there are easily 20 threads going on where folks are talking theory and there is absolutely no doubt to any of us who have actually done the testing needed, that the guy talking has never done the actual empirical testing themselves. I've seen this happen with HEA reviewers and designers and a ton of hobbyist. My question is this, why?

You would think that this hobby would be about listening and experience, so why are there so many myths created and why, in this hobby in particular, do people claim they know something without ever experimenting or being part of a team of empirical science folks. It's not that hard to setup a real empirical testing ground, so why don't we see this happen?

I'm not asking for peoples credentials, and I'm not asking to be trolled, I'm simply asking why talk and not walk? In many ways HEA is on pause while the rest of audio innovation is moving forward. I'm also not asking you guys to defend HEA, we've all heard it been there done it. What I'm asking is a very simple question in a hobby that is suppose to be based on "doing", why fake it?

thanks, be polite

Michael Green

www.michaelgreenaudio.net


128x128michaelgreenaudio

"I might have missed it in the article, but was that set-up and your involvement just for that particular recording or was that studio arranged by you for the longer run?"

The studio that Michael designed and built is still in use today at SUNY. A few years later Michael designed the new music wing there as well.

jf47t,

Thanks. I may stop by at some point to see/hear what the hoopla is all about.
One more step in this famous "walking" business. NAD C-350 amplifier in a like-new condition (at least visually and, from what I can remember, acoustically). Screwdriver. A few screws. Magical "freeing of the signal" by taking the cover off. Stayed the same except for the questionable looks of otherwise also not the prettiest industrial design piece. True, I skipped cutting the plug off and sticking wires in the outlet, but I did "walk", maybe "crawled". Try it yourself. It was easy. Make sure you keep the screws. You will need them.

Pop Quiz for a slow weekend

Which of the following are tunes and which are tweaks?

1. Springs

2. Wood blocks and Mpingo disc

3. Maple board

4. Cryogenics

5. Heat Tempering

6. Isolating the transformer

7. Removing the chassis cover

8. Elevating cables

9. Isolating speakers

10. Crystals