Good carts with SME V


Hi there
What could be the carts that match optimally with a SME V tonearm?
My SME is on a Hanss T30 player.

The match should have a resonance around 10 hz - I believe. Or no lower than 8 hz.

Cart suggestions are appreciated, from users of the SME V especially.

I ask also since maybe "official" resonance measures are way off, compared to user experience. Please include the weight and compliance of your cart suggestion, and if possible, your resonance testing frequency. 



Ag insider logo xs@2xo_holter
@rauliruegas What about all of those records from the 60s-70s that had tube equipment somewhere in the chain, from recording to cutting, do they not have tubey sound part of what’s cut in the grooves? 

The Titan i does make this record sound “sharp”. But was it meant to sound that way? I think, yes. There should be some razor blade to the sound. Now that it is better adjusted, the bass performance is very tight and sounds great. The guitar of Steve Howe sounds more full, warm.

I've been a Yes fan from way back, and also have UK originals for most of their early stuff.
I've not heard any sharpness on Relayer. The only version of Close to the Edge that seems to hold up is the original UK version (the pipe organ does not break up) followed closely by the Mobile Fidelity version. In a number of ways The Yes Album (purple Atlantic label) seems the best recorded...
Atmasphere - glad you like Yes -or like me, their best parts. Pipe organ - I will check.
Invictus005 and rauliregas - a case in point could be Doors albums. Recorded through tubes at first, s-state later. Giving a more hard, flat sound, to my ears. Although much is forgiven when I listen to the Analogue Production 45 rpm double LPs of the albums.Koetsu Black is off the map for now, has been sold. Not sure if it would be anything for me anyway. Much is shrouded mystery it seems. One writer states that carts even within one model sound widely different. Lyras have a consistent sound, Koetsus not.
 

I love form and finish as a final solution in a product. A beautiful-sounding cart should have as good a material design and form and look as well as possible. But more than that? I get sceptical. If the sound is so-so, does it help me if I look at the beautiful cartridge? No, it is totally irrelevant. So all these exquisite stones and materials, the "look good" carts, who do they appeal to, serious listeners, or rich people wanting to show off?
Atmasphere - listening to Yes Close to the edge, side B track one with a heavy organ solo, I dont hear any breakup. Where do you hear it? I have a ca second press UK.