Our Black EX system is driving YG Acoustic Carmels with a subwoofer. The Black EX brought them to life. My wife said the Black EX “has balls.” I, however, do not think it has a
gender. My wife now spontaneously wants
to dance. Some songs give the hair on
her arms goosebumps when listening to her favorite songs. I have a single criterion for high-end
audio: emotional involvement. Specs are meaningless IMHO.
After years of owning different DACs and amps, this is a
final destination product, which is saying something coming from an upgrade
junkie. The Black EX makes good speakers
great, and there is no other way to achieve this sound.
The Black EX has a phono pre-amp and Tilt Control. The Tilt Control is amazing, especially with
recordings that are hot, i.e.,
intentionally recorded with an emphasis on the high-end, like Adele 21. Listening to any song on that album on a car
stereo may be ok, but you need to tweak it on a high-end system. Tilt also can be used if you room is too
bright or too dead.
It has equalizer features – high pass and low pass
filters. Subwoofer integration, in my
opinion, is very difficult and rarely successful. The Black EX integrates subwoofers. It takes a bit of time, like an hour or two,
to adjust the high pass and low pass filters for your room and subwoofer, but
the end result is integration. By
integration, I mean you cannot tell if the music is from the main speakers or
the subwoofer. I am using 50 Hz on both
settings but they do not have to be the same.
The Black EX has an Ethernet input. This is often overlooked, but it means you
are not using a computer in your system (unless you want to use Roon; the Black
EX is Roon ready). We mostly use the Bel
Canto SEEK app. Ethernet is a superior
connection over USB.
Finally, Black EX is MQA compatible. Playing an MQA recording using an Ethernet
connection is a step up. It squeezes out
that last five percent.