Kevin Gray uses them and Andreas Meyer uses big B&Ws at Sony studios where he has done fantastic work. I think Harbeths are constricted at the frequency extremes so I don’t want them. Von Schweikert speakers colored, yeah, right. The number one audio system at shows for the past three years has been his Ultra 11s as written up in Absolute Sound, Stereophile, Enjoy the Music, Positive Feedback and others, not Magicos. You are correct. I shouldn’t be here since I am not adding anything to Magico owner worshippers. But denigrating great remastering engineers whose tastes coincide with mine is dumb. Pleasant coloration in a speaker is less important to us then communication of the message-the music and Magico doesn’t do it for us. All those great recordings from the late 50s and early 60s were generally mastered on colored speakers and often (like most British recordings) were using Tannoys.
I want to hear back from Alexb76 who started this thread) for his second thoughts on rehearing the A3s.
I want to hear back from Alexb76 who started this thread) for his second thoughts on rehearing the A3s.