Help me pick a phono, pre and cart


Hi all,
My WF spending restraints are going away so I’m going to upgrade my system.
I primarily play CD, but also have an MMF-5 with Glass platter, Golding GX1022 cart going through a Clear Audio Nano to Ayre Ax-7e to Sig 2 Ce’s.

This year I’m going to Quatro CT’s and upgrading my vinyl pre and source side. Next year I’m upgrading my main pre and power amp.

I’m looking for help in picking a phono player pre and cart. My musical taste is pretty wide: female vocals, rock, blues, jazz; not much classical on vinyl. Think Amy Winehouse/Cold Specks/Pixies/Weezer/Jeff Beck/Johnny Winter/Winton Marsalis and Maynard Ferguson for you other old timers. LOL
My budget is about $8-10k

Right now my main thoughts are VPI Prime Scout or Prime with Grado Statement series cart, and an Ayre Px-5e pre.
In addition to specific item recommendations, I’m very interested in how to split the budget item wise. In other words more or less on player vs cart vs pre, I.e. Scout with Statement2 or Prime with Reference2 for example. Or go higher than 20-30% on the pre?
I lean towards spending the most on what’s least upgradeable - sorry if that’s too general or obvious.
Thanks much
Jim

jetson
@bpoletti Yes, you'd think "a small box swap-out" is a simple thing, but the problem is that to change it out you need to remove the entire tonearm. The pieces that make up the base two pieces of the "dog leg", the VTA tower, etc. all separate. After swapping the rectangle box, when you then align the base pieces they need to be at the exact same angle as before, but there is no way to guarantee the correct geometry. And guessing or going by sight alone will cause serious detriment to the ability of the cartridge to track correctly and do its job.
When I called Harry after buying the XLR "little box" asking for direction on how to reassemble the arm and pointing out the lack of markings etc. to him, he wowed me by telling me to send back the arm and that he would replace it with the then-new 12.7 at zero cost! He even told me to keep the old arm-wand and use it as a spare. That was great service. That VPI is no more. 
A friend of mine is a professional musician for one of the top 5 orchestras in the US. He bought a Prime directly from VPI and for months knowing exactly what he should be hearing on most classical recordings, he had a strange polarity problem that resulted in weird soundstage effects like instruments in the wrong place and no depth. After checking & rechecking his cabling, turntable setup etc. and having a couple of friends do the same, they all concluded that the table was hooked up right. He called VPI's service mgr., (Mark?), and then Mat. They both blamed his mis-wiring the cartridge connections which was triple-checked, then the phono stage. So he sent that in for service, which of course wasn't needed.
After waiting for phono stage return, at the end of his rope with no solution in sight, I brought another whole analog setup over and switched out everything one at a time to debug it all. At the end of the day 3 of us concluded that the "little Din-RCA box" on his VPI arm was improperly wired inside the box. Mat laughed at the suggestion, but eventually agreed to have it sent back. Weeks later, a correctly wired box showed up and everything finally worked as it should. After that whole fiasco, I can't recommend VPI to anyone anymore. There are too many great products & great companies with stellar support to accept anything else. Yes, VPI has it's fans, but all is not wine & song. At least no one is suggesting that @jetson order one from advertised "#1 VPI dealer" Soundstage Direct. Cheers,
Spencer
@sbank 

My opinion....

Wow!!  What a GREAT reason to use single-ended / unbalanced wiring!   And a great reason to enjoy the superior performance of single ended electronics!!  YOMV.
@bpoletti the story about my friend was with a single-ended Prime, lol. I am happy you haven't had any trouble and suggest that if you or others ever need to disassemble just be sure to measure every angle & take a bunch of pics before doing so. 
YouI had enough of this thread. Good luck, @jetson, whatever you decide. Cheers,
Spencer 
@sbank 
Thanks for all your insight, I’d go on but be superfluous. Really appreciate it. 
@bpoletti 
Thanks to you as well, I don’t disagree that that TT isn’t a great deal, but not for me, 
Cheers,
Jim
The one thing I have learned is that you'll want a phono stage that is highly adjustable if you want to use a moving coil cartridge. Loading can make the difference in SQ. I was interested in the Ayre phono stage as well but it did not have the correct loading available for my AMG cartridge and I ended up with a Musical Surrounding Nova II.
@joey54 If you have to load the cartridge to get it to sound right, this is a sign that the phono section is unstable and unhappy when RFI is applied to its input. Loading detunes the Radio Frequency resonant peak that is created by the inductance of the cartridge and the capacitance on the interconnect cable. This is why some phono preamps sound better when the cartridge is 'loaded'.

Cartridge manufacturers make loading recommendations because they have no idea if the phono section you're using is stable or not. Generally their recommendations are in fact that- very general, since they don't know the amount of capacitance in the tone arm cable either. If the phono section is stable, the stock 47K load will do the job.
A down side of loading is that you are causing the coils of the cartridge to drive a much lower impedance- meaning that they are doing more work. This extra energy comes from somewhere- the stylus in the groove- so when you employ lower impedances for loading you also reduce the compliance of the cartridge and its ability to track higher frequencies. Something to think about.