I have been a cable tester for about 15 years for a small manufacturer. I've heard maybe 100 different cables, most never making it into production. Before I test them, I burn them in for 24 hours, minimum. I have found that a new pair of ICs versus a 24 hour used pair of ICs can sound very, very different.
I've also tested Monster Cable 300s series years ago and found no appreciable difference after 100 hours burn in. I found a slight difference using Belden low capacitance ICs. Then again, I found that High Fidelity brand cables sound terrible on any system I've heard, generally, very expensive systems of $300,000 to $1 million. I'd rather listen to Monster 300s than High Fidelity cables for musical enjoyment.
Since comparing newly manufactured audiophile cables to burned in cables is so obvious to me as well as to others, may I suggest that some or many professional based balanced cables do not have a significant burn in change in sound. Note that so many great recordings were made using cheap professional cabling back in the 50s to 70s. Could they have been better with more advanced design and metallurgy cabling? I don't know.
When I purchased my SME IV arm in 1989, the dealer said listen for a while, then bring it back for modifications. He shot closed cell insulation in the arm to remove the low mid/upper bass hump and installed Cardas phono cable with an RCA junction box. It took about a month (100 hours) until I found great enjoyment using my new arm. I am still using this arm in 2018.
I've also tested Monster Cable 300s series years ago and found no appreciable difference after 100 hours burn in. I found a slight difference using Belden low capacitance ICs. Then again, I found that High Fidelity brand cables sound terrible on any system I've heard, generally, very expensive systems of $300,000 to $1 million. I'd rather listen to Monster 300s than High Fidelity cables for musical enjoyment.
Since comparing newly manufactured audiophile cables to burned in cables is so obvious to me as well as to others, may I suggest that some or many professional based balanced cables do not have a significant burn in change in sound. Note that so many great recordings were made using cheap professional cabling back in the 50s to 70s. Could they have been better with more advanced design and metallurgy cabling? I don't know.
When I purchased my SME IV arm in 1989, the dealer said listen for a while, then bring it back for modifications. He shot closed cell insulation in the arm to remove the low mid/upper bass hump and installed Cardas phono cable with an RCA junction box. It took about a month (100 hours) until I found great enjoyment using my new arm. I am still using this arm in 2018.