I saw Miles in Chicago 69, and this is the sound he presented with a different band. This sound was totally foreign to me at that time, and I couldn't believe I was looking at and hearing "Miles Dewey Davis" dressed in a fringed buckskin vest.
I'm amazed at how good it sounds now; that just goes to show how we change, and become acclimated to new sounds.
Miles had the biggest ego in the business, and also the best ears for new talent; I recall seeing him just before his eternal rest, and he had a white unknown sax player (unknown to me) who was very good. He was playing a long solo that sounded especially good, and he was just developing it, when Miles just blurted in, sounding like an ardvark fart.
I don't know if he ever did that to Trane, but he always complained about Trane's long solos.
Acman, could you tell me what album that's on, ( The Isle of Wight Festival) it sounds especially good now.