@prof Hmmm. In my auditioning of the 40.2's in a big room in which they could well and truly breathe, they both imaged and sound-staged extraordinarily well. The Classic 100's in another set-up also did very well on both scores, to my mind.
@analogluvr I agree. I mean, if it were as simple as narrow good, wide bad, why would these modern wide speakers perform as well as they do, even if they are not perhaps the equal of the absolute imaging champs.
@mindlessminion I think I'd have to say the 40.2's, though the Classic 100's were at a different place, in a different room, with totally different equipment. Both very good indeed. The Audio Note's had perhaps the greatest purity of sound, the highest truth-to-timbre, more like the live acoustic instruments than perhaps anything else I've ever heard. But despite their claims to the contrary, I did think their positioning close to the front wall, as is traditional with them, did tend to foreshorten a little the soundstaging, and reduce a little the general airiness. Of the four mentioned, I liked the Devore least, though they were fine.
@analogluvr I agree. I mean, if it were as simple as narrow good, wide bad, why would these modern wide speakers perform as well as they do, even if they are not perhaps the equal of the absolute imaging champs.
@mindlessminion I think I'd have to say the 40.2's, though the Classic 100's were at a different place, in a different room, with totally different equipment. Both very good indeed. The Audio Note's had perhaps the greatest purity of sound, the highest truth-to-timbre, more like the live acoustic instruments than perhaps anything else I've ever heard. But despite their claims to the contrary, I did think their positioning close to the front wall, as is traditional with them, did tend to foreshorten a little the soundstaging, and reduce a little the general airiness. Of the four mentioned, I liked the Devore least, though they were fine.
