Marty,
I was talking to John at Ohm some time ago about this. He said that people tend to rave about the Ohm's soundstage presentation with two very different kinds of recordings.
The first is the "audiophile purist" kind of record -- single mike, lots of "hall ambiance" captured. On these tracks, you get a wonderful sense of space and air in the room..
The other, paradoxically, are WELL PRODUCED, heavily multitracked studio recordings, like "Graceland," "Brothers In Arms" "Two Against Nature" or "Rikki Lee Jones," where the engineers have deliberately put in "phasey" effects and used other tricks toward an artistic effect. In those recordings, the Ohms will totally take over the room and put you in the middle of the fireworks. ;-)
I was talking to John at Ohm some time ago about this. He said that people tend to rave about the Ohm's soundstage presentation with two very different kinds of recordings.
The first is the "audiophile purist" kind of record -- single mike, lots of "hall ambiance" captured. On these tracks, you get a wonderful sense of space and air in the room..
The other, paradoxically, are WELL PRODUCED, heavily multitracked studio recordings, like "Graceland," "Brothers In Arms" "Two Against Nature" or "Rikki Lee Jones," where the engineers have deliberately put in "phasey" effects and used other tricks toward an artistic effect. In those recordings, the Ohms will totally take over the room and put you in the middle of the fireworks. ;-)