Best Loudspeakers for Rich Timbre?


I realise that the music industry seems to care less and less about timbre, see
https://youtu.be/oVME_l4IwII

But for me, without timbre music reproduction can be compared to food which lacks flavour or a modern movie with washed out colours. Occasionally interesting, but rarely engaging.

So my question is, what are your loudspeaker candidates if you are looking for a 'Technicolor' sound?

I know many use tube amps solely for this aim, but perhaps they are a subject deserving an entirely separate discussion.
cd318
@analogluvr + @prof 

I'm glad you both brought up the issue of that "warm woody" sound. What prof writes about DeVores I found also applies to many of the larger Tannoys (even the slim floor standing Revolution 3s share this quality. When you first hear it you immediately think it must be wrong, too much mid bass, too warm, can't be right, and yet...it sounds so lovely, so real that convinces you that most other speakers must be wrong.  

I have to agree that the line 'you start to notice a warm colouration in all pieces of music that is being imposed by the speaker.' also applies to my experience. It's just that it's so emotionally satisfying, especially with some classic EMI 1950s and 60s recordings where it feels like everything has aligned and this is as close to perfect as you're gonna get!).

In my experience this is the best I have heard at home and almost the best anywhere else. However things might change as I'm hoping to get to the Audio Show 2018 next month at Leamington Spa. It will my first in about a decade and the good news is that Vivid Audio and Audio Note UK will be there.

If we get to hear some exotic US brands at the show, well that would be the 'living end'. Yes, I know, I have read too many Stan Lee comics.   
cd318 wrote (in part):
It's just that it's [playback through the larger Tannoys] so emotionally satisfying, especially with some classic EMI 1950s and 60s recordings where it feels like everything has aligned and this is as close to perfect as you're gonna get!).
An astute observation. Perhaps a factor in this sonic chemistry is that the EMI recordings were likely monitored and mixed on large Tannoys, such that the recordings and the playback speakers are figuratively speaking the same "language."

I heard the AN-E's and O/93's the same day, albeit in different environments.  In terms of sheer purity of timbre, I'd definitely give it to the Audio Notes.
I was in NYC the other week and got to stop by In Living Stereo. Hoped to maybe hear Devores for first time ever but didn’t happen. Maybe next time.

Audio Notes with corner placement always one of my favorite sounds at every show I hear them.