Ohm Walsh Micro Talls: who's actually heard 'em?

Map,

I haven't managed to hear Magico yet. David Weinhart Design in Bel Air (not too far from me) carries them and I've thought about dropping in for a listen. Truth is, I don't usually do that unless there's at least a passing chance that I'll buy something. Right now, I'm REALLY happy with the Ohm + Subs, so I've been reluctant to bother Dave. One day, I'll stop by to check out something he sells (maybe not speakers) and ask for a listen. 'Til then, I'll remain curious, too.

Marty

Aren't the Minis something like $25,000 a pair? Yikes!

Actually, now over $30000 pair, up $10000 from last year.

Yikes is right!

Apparently, people are buying them and they were quite ear catching both times I've heard them. Transient attack was one of the best I've heard, yet they seemed relatively easy on the ear regardless. Not all recordings I heard struck me uniquely, but the piano and percussion in particular on a few remastered cuts off Billy Joel's "The Stranger" did.

Last time I heard them about a year ago, on the same system at Sound By Singer in NYC, using a high end VAC amp, VTL pre, and DCS Puccini player (all very pricey as well), the naturalness of massed strings in an orchestral work struck me as well and led me towards a few tweaks in my system as a result.

They are price is no object statement speakers with very high build quality and a useful reference as such I would say.

My Walshs are retrofitted with the 100s3 transducers so per John S they are like buying a 100S3. I am guessing that part of the issue will be electronics. John felt I would be ok with the Mac but at 45 WRMS its just at the low end of what the paperwork says I should have. I will upgrade my amp in time but it will have to wait a bit having upgraded 2 pairs of speakers, CD, rack and a pre in the last 6 months. My wife has her eyes set on granite counters as a "higher priority". Until then I am going to focus on getting them broken in and setup correctly. BTW, Map, the C2s were upgraded with Ohms new woofer and sub-bass activator a few years ago and that helped in extending their life and bottom end. They may be a little bright but given my living room setup they sounded pretty good to me even when compared to some friends Rogers and Spendor speakers side by side. I may just have to get used to the sound of this kind of Walsh design. I am going to borrow a friends Mac tube amp and see how that changes things over the 4th weekend.

Joek,

Sounds like a reasonable approach. My gut tells me that your Mac integrated is OK for the Walshes but that you will find you can do much better. The Walshes need current in addition to watts and most integrated tend to compromise in that area out of design necessity.

FWIW, before I upgraded speaks, I owned original Walsh 2's, OHM Ls refitted with basic Radio Shack woofers, Magnepans, and B&Ws all concurrently running off the same system but in different rooms just like now.

I decided to go the OHM upgrade route before going anywhere else. I was initially considering OHM upgraded OHM Hs (1 step up the old line from C2) in that these were always my favs and the price was very reasonable.

Then I was able to pick up my Dynaudios, which I always liked, for a reasonable price. These are excellent at what they do but not quite in the same league as some of the best larger full range models I heard around and my goal was ultimate satisfaction.

Then I decided to try my current Walsh 2's with the S3 drivers that I picked up for even less than refurbed Hs would cost used here on A'gon and tried that.

The S3s sound much different than even the original Walsh 2s or of course any box design, so I was not sure at first, but as things settled in, I never looked back. I liked what I heard enough to then splurge and I bought the F5 S3s from OHM for my largest room in addition to the Walsh2 S3s and Ls I already owned. Then my attention turned to tweaking the rest of my system to bring the best out of the Walshes.